|The Medieval Players were a professional touring company throughout the
eighties and early nineties, performing plays not always English (Calderon’s Great Theatre
of the World), medieval (Mother Courage – a new version based on Grimmelshausen), or
even plays (Piers Plowman and The Marriage of Panurge). Their artistic policy realised an
eclectic style which drew on research into medieval principles of production, including
juggling, fire-eating, dancing and music.|
On disbanding, the Medieval Players presented their archive to the York Doomsday Project. It contains posters, programmes, press-cuttings, fan (and hate) mail, videos and tour schedules as well as account books charting the fluctuating fortunes of a touring company killed by the policies of a Thatcherite Arts Council. It awaits a suitable research student to sort and interpret its content.
We are clearing copyright for the images which will go on this page.
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© Meg Twycross 2001.