Workshop 3: Neal White, ‘Experimentality. The Experimental Site’

Neal White (Office of Experiments and Media School, Bournemouth University)  works across media, and in no particular medium at all – creating projects with the Office of Experiments that develop collaborative, social and critical spaces using art methods and art materials. His work operates along the fine line between how art thinks and the effect that art has as a social practice. Neal White has been associated with 0+1, formerly APG, Artists' Placement Group, for several years. Maintaining that art has always pushed the boundaries of the possible in terms of models of social collaboration and networking, Neal White's work looks at how these models can engage with other kinds of knowledge producing structure. The Office of Experiments is a structure for experimental cultural practices. Their work is based on the need for new forms of cultural practice, forms of contemporary artistic production that draw on critical lessons of former experimental movements, artists, thinkers and structures - and that seeks to disentangle these modes and systems of approach from the value systems that underline mass media, financial systems and contemporary art markets.

Workshop 3: Bronislaw Szerszynski, ‘Experimental time and the event of politics’

Bronislaw Szerszynski (Sociology, Lancaster University) opened his presentation stating that he wants to use it as an opportunity to develop some ideas about experimental subjection, the being subjected to an experiment. He proceeded in arguing that the force of experimentality can be used as an analogy to the force of law (Agamben, 1998; 2005).

Workshop 2: Wolfgang Ernst, Experimenting media-temporality (Pythagoras, Hertz, Turing)

Professor of media theories Wolfgang Ernst (Humboldt University) opened his presentation by stating that the subject of this workshop, ‘experimentality as event’, touches a crucial figure of contemporary epistemology, especially when we take epistemology in its processual, time-based meaning as defines by cybernetics which is – taken by its original self-definition – the insight into ‘Circular Causal and Feedback Mechanisms’ (Heinz  von Foerster, 1949). Consequently, Ernst proposed that we investigate the processuality and eventuality of media-enhanced experimentation.

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