The LICA Building
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I teach on the Fine Art course. My main disciplines are painting and drawing. However, I also utilise digital media and photography within my practice.
I am a painter concerned with visual perception, in particular, examining and challenging theories and methodologies of colour reception, light and movement within the second dimension.
My painting methodology is determined by the subject matter and often juxtaposes conventional painting techniques with innovative methods to create unusual surfaces, layers and textures. Depth and surface contrasts are particularly important in my work. Colour luminosity and light emanationn effects have recently become key.
Previous research and exhibitions have encompassed a wide variety of subject matter: fabrics and textiles in literature (including newly commissioned works through study of the Sir Michael Sadler Kashmir Shawl Collection at the University of Leeds International Textile Archive, culminating in a solo exhibition Pip Dickens ? New Works at The Stanley & Audrey Burton Gallery, University of Leeds).
A Leverhulme Trust Award Artist in Residence at the University of Huddersfield collaborating with composer, Professor Monty Adkins explored synergy between music and painting through examination of Japanese aesthetics. This resulted in research in Kyoto interviewing craftspeople introduced through Professor Yuzo Murayama of Doshisha University, Kyoto. The overall project included an interim exhibition Hajime ? The Beginning: Pip Dickens and Monty Adkins and culminated in a co-authored book Shibusa ? Extracting Beauty. Paintings from this project comprised a solo exhibition at Daiwa Anglo-Japanese Foundation London.
Recent research and exhibitions include a solo touring exhibition Toward the Light by Pip Dickens with Bradford Museums and Galleries (supported by Arts Council England) and in 2013 SCREEN: Pip Dickens new works informed by Japanese notions of the screen and cinematic and photocellular film qualities. The solo exhibition (Rugby Art Gallery & Museum) was supported by Arts Council England.
Current and future research will expand on cinematic themes ? the lost colour palette of Glorious Technicolour and also the notion of the screen (acknowledging the 14th Century Italian finestre impannate, or curtained window) interpreted through painting as portals of discovery exploring the idea of views, or aspects of clarity, or their opposite...diffused, phantasmagoric netherworlds.
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