This core module has two main objectives. Firstly, it is designed to develop further your analytical skills in order to examine individual films in greater detail. Secondly, it is intended to encourage you to understand world cinema in relation to a variety of social, cultural, political and industrial contexts. The module will explore such issues as the relationship between film form and modes of production (from industrial film-making through to low-budget art film), theories of film style and aesthetics, and the political function of cinema. The module consists of two interwoven strands, one strand focusing on various modes of American film production, the other exploring films from a number of different national traditions. Across the whole module, you will gain a thorough grasp not only of the historical factors shaping various national and international cinemas, but also of some key critical and theoretical concepts within the field of film studies.

Critical Reflections explores a number of key interdisciplinary philosophical and cultural theories and concepts such as: Aesthetics, Formalism, Phenomenology, Semiotics, Structuralism, Deconstruction, Class, Society, Feminism, Queer Theory and Gender, Difference and Postcolonialism. This will enable you to analyse, engage with, and reflect upon artworks in your own discipline. It also allows you to establish a common set of concepts which can be shared by students from different LICA subjects including Design, Film, Fine Art and Theatre; with ideas and examples specifically tailored towards these disciplines.

This module explores different approaches to both the analysis and the production of documentary film. As well as considering a range of styles of documentary film, typically including expository, poetic, observational, reflexive, political, and personal modes of documentary film, you will also examine key debates concerning the ethics of documentary filmmaking. An indicative list of film screenings includes Nanook of the North, Grey Gardens, Dont Look Back [sic], The Arbor, Sans Soleil, Fahrenheit 9/11, The Gleaners and I, and The Act of Killing.

The module aims to develop an understanding of historically important European films from the 1950s to the 1980s and the stylistic and historical significance of these films. It will explore the thematic importance of these films and consider the critical debates relating to this period of filmmaking enabling students to develop a critical understanding of the conditions of production, reception and distribution of these films.

This module examines a historical genre that now occupies the economic centre of Hollywood film production. The module focuses centrally on film and comic book aesthetics; on questions of narration and visual depiction in these two related media; on the shifting norms of this film genre in relation to technological change across history; and on the significance and uses of the comic-book film in society. The module develops ideas and skills introduced in the core Film Studies modules taken as part of the film studies and combined degrees.

Studying this module should improve students’ knowledge and understanding of some key issues in metaphysics as determined by the syllabus. This focuses primarily on some issues concerning space and time, the nature of physical objects and persons, and some key philosophical distinctions. Studying this module should also enable them to see connections between various philosophical issues that should be of value to them with regard to other philosophy modules that they are studying.

This module explores efforts to facilitate peace in the contemporary Middle East. Following the US-led invasion of Iraq in 2003, the Middle East has endured a range of serious challenges to the ordering of political life across a number of different states, with serious repercussions for people and their daily lives. Focussing on a range of contemporary challenges including (but not limited to) the rise of sectarianism, geopolitical tensions, the struggle over political participation, and popular protest, the module asks how these issues can be addressed drawing on approaches found in Peace Studies and Political Theory.

This module examines some theoretical issues involved in gaining knowledge about human societies. We will look at the role of theories and models in economics and political science, the special nature of "social institutions," and whether economic and political knowledge can be separated from value-judgments:

• Rational choice theory and models based on it
• Social norms and cooperation
• John Searle’s theory of “institutional facts”
• The nature of money and different accounts of power
• Whether values can or should be kept out of economics and political science
• Some ways in which states and markets are related

This module aims to give students a grounding in “the contemporary” as a key critical concept used in artistic discourses, and provide a number of ways that students can explore and articulate their own contemporaneity. In conversation with cutting edge ideas from art, science, technology and popular culture, the module will enable participants to discuss and identify what they are contemporaries of, how they relate to their own time as artists, citizens and critical writers and what this necessitates in their own practices.

Students will engage in critical discussion of key terms used to define the current moment, such as Anthropocene, Singularity, Post-Truth, and Globalisation, as well as understanding how particular technologies and phenomena, such as distributed and decentralised networks, virtual reality, artificial intelligence and genetic engineering are reshaping the contexts in which the arts are made. These topics are explored through lectures and seminar discussions in which students are encouraged to produce and define their own position and modes for articulating what makes them contemporary.

The module is designed for creative students who wish to use writing and material practice to explore their own relationship to the ecologies, politics, trends, technologies, and aesthetics that typify our experience of the world today.

This module will explore the work of some of the most historically important female film-makers from the 1890s through to the present, considering films from around the globe. The module will examine the significant but often marginalized and obscured roles that women have played in industrial, experimental and avant-garde film production across a spectrum of roles from costume and production designers through to screen-writers, editors and directors. You will be invited to reflect upon the fact that, despite playing key roles in the development of the medium, women continue to be excluded at all levels of film production. The decision by Hollywood star and activist Geena Davis to establish a campaigning ‘Institute on Gender in Media’ is a measure of the urgency of this subject.

The module will engage with revisionist film histories concerned with interrogating the dominant bias of academic and popular histories of the medium; it will also draw on feminist film theory concerned both with a critical understanding of mainstream cinema and the development of politicized women’s cinemas. The module will examine a series of female directors and their work, and each week will be oriented around the screening of a case study film that will be the focus for the seminar. An example of directors included is Alice Guy-Blaché, Dorothy Arzner, Leni Riefenstahl, Ida Lupino, Laura Mulvey, Mira Nair, Kathryn Bigelow, Marziyeh Meshkini, Lynne Ramsay.

Assessment is by a combination of coursework essay and exam.

This course provides a historical and thematic introduction to the issues facing Africa in the international system today. The course is divided into two sections. The first section explores the historical incorporation of the continent into the emerging international system centred on Europe from the sixteenth to the twentieth century. It focuses on the impact of colonialism and independence in terms of the economy, the state and the politics of race and the implications these have for the region’s prospects for democracy and development today. The second section looks at key contemporary issues and agents shaping the continent. The latter includes ‘top-down’ actors such as the Chinese state, as well as grassroots actors such as unionised South African workers.

This module centres on the artistically and politically adventurous phase of American filmmaking circa 1967-1979. Typically topics studied include:

• Introduction – Hollywood breakdown (Easy Rider, Medium Cool)
• The future of allusion: New Hollywood’s nostalgic mode (The Godfather)
• Popular feminism (Klute, Woman Under the Influence)
• Politics and conspiracy (The Parallax View, All The President’s Men)
• Disaster movies (The Poseidon Adventure)
• Comedy (Annie Hall)
• Exploitation cinema I: blaxploitation (Coffy, Foxy Brown)
• Exploitation cinema II: horror/body genres (The Texas Chainsaw Massacre)
• Blockbuster cinema and the franchise film (Star Wars)
• The end of the New (Apocalypse Now)

This course presents a detailed analysis of the major developments in British foreign policy since 1945. It explains these developments within a global context, offering rival interpretations of Britain’s changing role and status – issues whose importance has been underlined by the debates surrounding the 2016 ‘Brexit’ referendum. The major themes include: the consequences of Britain’s participation in the Second World War; the retreat from Empire after 1945; the ‘special relationship’ with the United States; and the prolonged attempt to redefine Britain’s global role in the context of perceived economic and geopolitical decline.

China’s rise has reshaped world politics and the global economy. In this seminar-based course, students will become familiar with different approaches to understanding China and its place in the world, critically evaluating the opportunities and challenges for both. We will consider China's relation to the world from eight distinct but overlapping perspectives: politics, place, people, economy, culture, media, foreign policy and intellectual thought. The weekly student-led tutorials will explore key issues including the party-state and its techniques of governance; China’s urban and rural geography and contested territory; Chinese nationalism and ethnicities; the PRC economy and its prospects; traditional and contemporary Chinese culture(s); the implications of the Internet for China’s society, economy and politics; the CCP’s foreign policy and its influence on the outside world; and the emerging 'Chinese school' of International Relations theory.

In this module we survey and critically examine some of the main themes, key concepts, debates and approaches to the study of Christianity and theological change in the modern word. You will also have the opportunity to develop an analytical and interpretive framework within which to situate competing Christian traditions and theologies in a historical context. In addition, we also examine some of the key issues facing the Christian Church in the modern world.

This module explores Hong Kong cinema from the mid-1980s up to the present – an era whose beginning witnesses the international breakthrough of a new wave of local filmmakers, and which goes on to encompass the early 1990s’ production surge, the 1997 handover to mainland China, the crippling economic crisis, and the outbreak of the SARS virus. The module will give you the opportunity to develop an understanding of a number of basic industrial, aesthetic, social and cultural trends marking Hong Kong films in the contemporary era. These include the emergence and impact of independent production; the rise of ‘high-concept’ filmmaking; the movement toward pan-Asian co-productions; the importance and cross-marketing of star performers and local musical traditions such as Cantopop; the popularity of genres like the swordplay film; and aesthetic tendencies such as episodic plotting and the narrative ‘thematisation’ of politics and identity. Emphasis will be placed not only on representative mainstream product, but also on the emergence of a distinct Hong Kong art cinema, whose presence and success on the international festival circuit has brought artistic credibility to a predominantly popular cinema, and which has heralded the arrival of a fresh wave of local ‘auteur’ filmmakers.

This course provides an introduction to US Foreign Policy. The United States plays an important role in the international system. As one of the largest, wealthiest, and most militarily capable states, its foreign policy has a profound influence on the international system. Therefore, to fully comprehend international relations and world events, one needs to understand US foreign policy. The course examines how US foreign policy is made and conducted by studying the historical development of US foreign policy, the institutions and processes involved in the foreign policymaking process, how the US projects power in the international system, and contemporary challenges and issues in US foreign policy.

This module explores the analysis of the corporation in the global political economy. It will help students develop their knowledge of the character and practices of corporations and place that analysis within the wider context of analyses of International Political Economy.

At the end of the module students will better understand the variance and multi-faceted character of the corporate (global) sector, be able to account for a range of (political) positions about corporations and have some experience of the interaction between political economic and legal analyses. The module overall is intended to demystify the corporation as a political economic actor and support students in developing a nuanced appreciation of their own analyses of the role and practices of (global) corporations.

This module provides an opportunity for students to develop an understanding of the ways in which creative practitioners produce and deliver their work. It will provide an overview of the challenges faced by freelance practitioners, producers and small cultural companies within the creative industries. You will also develop a working understanding of the key management and enterprise skills involved in delivering creative projects. Working in groups you will put your learning into practice through the delivery of your own live creative arts project. This will enable you to understand the skills, knowledge, attributes and behaviours relevant for employment in the arts and creative industries.

The module will look at philosophical issues that arise out of Darwin’s theory of evolution. These include questions about how best to understand the theory of evolution, and questions about what evolution implies for our view of the world, and in particular of ourselves. The course breaks down into three broad areas:

• Different ways to understand the theory of evolution, e.g., Is evolution, as some would have us believe, all about genes? Is natural selection the only important factor in evolution?
• Conceptual issues relating to biology, e.g., How do we define ‘function’? Is there one right way to classify living things
• Implications of Darwinism for understanding human nature, e.g., Does the fact that we have evolved affect ow we should see human nature? Why are evolutionary theories of human nature so controversial? Does Darwinism have any implications for moral questions?

This module allows you to undertake a major independent research project on a topic of your choice, presented in the form of a dissertation or a practice-based project and an essay. The module is taught through lectures focused on research skills and one-to-one supervision. Upon completion, you will be able to demonstrate your ability to undertake a major project that includes conducting research, engaging in a sustained critical analysis of relevant texts, building an argument and applying this to practice.

PPR.399 provides an opportunity for students to choose a topic related to some aspect of Politics and International Relations, Philosophy and Religious Studies which particularly interests them, and to pursue it in depth. The topic may be related to work that is being done on a formally taught course, or it may be less directly linked to course work. The intention is that students will develop their research skills, and their ability to work at length under their own direction.

Students write a dissertation of 9,000-10,000 words. They are expected to start thinking seriously about the dissertation towards the end of the Lent term of their second year, and to submit a provisional topic by the end of that term. Work should be well advanced by Christmas in the third year. The completed dissertation must be submitted at the start of Summer Term in the third year. To help students prepare for work on the dissertation, there will be an introductory talk on topics relating to doing one's own research and planning and writing a dissertation. A course handout will be available setting out in more detail the requirements for the dissertation and giving full details of lectures, supervision arrangements and assessment.

The aim of this module is to allow students to pursue independent in-depth studies of a topic of their choice, within the scope of their scheme of study. The topic will be formulated in dialogue with one or more external collaborator(s) and may be related to work that is being done on a formally taught course, or it may be less directly linked to course work. Students will develop their employability and research skills, and their ability to work independently at length under their own direction with input from external collaborators and an academic supervisor. The external collaboration will enhance students’ ability to reflect on the impact of academic work. One option is to incorporate work done through the Richardson Institute Internship Programme, but students may also discuss other forms of collaboration with their supervisor.

Students are expected to start thinking seriously about the dissertation towards the end of the Lent term of the second year, and to submit a provisional topic by the end of that term. Work should begin during the Summer term of the second year and a draft plan must be approved by the end of the Summer term. Work should be well advanced by Christmas in the third year. The completed dissertation must be submitted at the start of Summer Term in the third year. To help students prepare for work on the dissertation, there will be an introductory talk on topics relating to doing one’s own research and planning and writing a dissertation. A course handout will be available setting out in more detail the requirements for the dissertation and giving full details of lectures, supervision arrangements and assessment.

The aim of this module is to allow you to pursue independent in-depth studies of a topic of your choice, within the scope of your scheme of study. The topic may be related to work that is being done on a formally taught course, or it may be less directly linked to course work. You will have the opportunity to develop your employability and research skills, and your ability to work independently at length under your own direction with input from an academic supervisor. The fieldwork element will give you the chance to enhance your ability to reflect on the impact of academic work. One option is to incorporate a study trip typically organised by the University, via the Global Experience office, but you may also discuss other forms of field studies with your supervisor. The completed dissertation is usually submitted at the start of Summer Term in the third year. To help you prepare for work on the dissertation, typically there is an introductory talk in second year on topics relating to doing one’s own research and planning and writing a dissertation.

This module focuses on the most fundamental component of democratic political systems – elections. In particular, it analyses key political behaviour issues related to models of voting, electoral system design, and party organisation. It adopts a broadly comparative approach, with an emphasis on advanced industrial democracies in the west – especially the UK, but also other parts of the EU and the US.

The module will examine the merits of different voting behaviour models; the politics of electoral system design and choice; the rise of anti-party / anti-politics sentiment; as well as the modern methods parties utilise as they attempt to market themselves to voters. There will also be classes on developments in party organisation; contemporary party ideologies; the nature of party system change and continuity; and finally the relevance of public opinion to modern government and public policy.

The module aims to help students to gain an in-depth understanding of the main historical events, processes and actors that have shaped and continue to shape political dynamics in the Persian Gulf.

Specific focus will be upon the key challenges to peace and security within the region, but the module will also cover a range of other topics including:

• A theoretical overview/history of region
• States and regimes
• Politics and Islam
• The resource curse?
• Globalisation and soft power competition
• Conflict resolution in the Persian Gulf
• The Arab Spring in the Persian Gulf
• Security, insecurity and stability: future trajectories

Students on this module will form an academically informed, independent and critical knowledge of the Persian Gulf and the relations that states within the region have with ‘the West’.

This third-year course will add to the theoretical, historical and cultural aspects of film investigated in Years 1 and 2, while focusing more closely on the challenging aesthetic and critical debates surrounding the concept of modernity. It will look at films made in the silent era, in post-war Europe and in Britain and the US. Writings on film will be considered in conjunction with viewings of particular films, close analysis of specific filmic techniques and methods, and historical and theoretical approaches to film. The course will also pay attention to the debates of classical and contemporary film theory, feminist approaches and other critical traditions (semiotics, structuralism, formalism, cognitivism). Students will be introduced to key debates in classical and contemporary film theory, with topics exploring the relations between film and art, cinema and politics, cinema and psychoanalysis, and, above all, the question of how films produce meaning(s).

What moral obligations do we have towards future generations – to people who are yet to be born, and to merely possible people whose existence (or non-existence) depends on how we decide to act now? In this module, we explore this question in detail by examining both a series of case studies and some of the main concepts and theories that philosophers use when thinking about these issues.Question considered normally include: Is there a moral obligation to refrain from having children (e.g. for environmental reasons) and what measures may governments take to encourage or enforce population control? Should we use selection techniques to minimise the incidence of genetic disorders and disabilities in future populations? Should parents be allowed to use these techniques to determine the characteristics of their future children? How should we weigh quality against quantity of life? Would a world with a relatively small number of ‘happier’ people be preferable to one with many more ‘less happy’ ones?

This module surveys and critically examines the main themes, key concepts, debates and approaches to the study of Hinduism. It pays particular attention to Hinduism in the modern world and Hinduism's relationship with other religions of South Asia during and since the 19th century. In this module, you will have the chance to develop an analytical and interpretative framework within which to situate competing Hindu traditions in a historical context. Typically, lectures will include topics such as: religious pluralism, the limitations of the term 'Hinduism', the impact of colonialism on Indian religious traditions, gender, the caste system, yoga, and the relationship between Hinduism and politics.

This module will introduce major themes and issues in Indian philosophy, focusing on the Hindu and Buddhist philosophical traditions. Beginning with philosophical sections in the Upanishads and the dialogues of the Buddha, the module will trace the development of Indian philosophy from the early to the classical periods. Various ethical, metaphysical, and epistemological concepts will be covered, such as: order and virtue (dharma), consequential action (karma), ultimate reality (Brahman), the nature of the self (atman), the highest good (moksha), and the means for attaining knowledge (pramana).

Throughout the module, students will look at the dialogical relationship between the Hindu and Buddhist philosophical traditions, particularly the shared practice of debate.

This module examines the historical formation of Islam; its renewal movements past and present; and modern reform discourses on gender, politics, and law. The aim is to gain an understanding of continuities and discontinuities in the Islamic tradition in relation to religious authority, theology, politics and contemporary practice. Some of the topics studied include: the formation of Shari'a (Islamic law); competing Sunni and Shi'i orthodoxies; the rise of radical political movements and global Jihad; Islamic feminisms; Islam and the West; and Islam in Britain. The module offers you the chance to build a strong foundation for more specialised study in second and third year modules.

What is Islamic Politics? This module seeks to introduce you to some of the key debates surrounding the nature and character of political Islam in the historical and contemporary context. While the core inquiry is a political one the module is interdisciplinary in nature. Islamic Politics draws on a variety of related disciplines such as anthropology, contemporary international relations, history, sociology, and religion to construct a cohesive representation of Islam in the political context. As such, we engage with debates surrounding its historical roots, its core political ideology, its relationship to violence, its compatibility with democracy, its representation in the media, the place of Muslim communities in non-Islamic polities and the prospects and possibilities surrounding engagement with radical Islam. In terms of area study focus we cover the greater Middle Eastern region. It is a module designed as much for students with little or no background in Islamic Politics, as it is for students who have already had some grounding.

The module provides an introduction to formal logic together with an examination of various philosophical issues that arise out of it. The syllabus includes a study of the languages of propositional and quantificational logic, how to formalize key logical concepts within them, and how to prove elementary results using formal techniques. Additional topics include identity, definite descriptions, modal logic and its philosophical significance, and some criticisms of classical logic.

This module takes a case study approach to contemporary issues in media, religion and politics from around the globe. Media will be broadly defined to include Twitter, YouTube, Facebook, tabloids, feature films, documentaries, television, radio, newspapers, magazines, etc. The module may include the study of topics such as: US President Trump’s evangelical council; Brazilian President Bolsonaro’s campaign; Boko Haram and ‘the Chibok girls’; ISIS on Twitter; witchcraft and the ‘Thames torso boy’; Ugandan antihomosexuality campaigns; zombies; Nollywood; and other subjects selected by students. Using both primary and secondary sources, we will contextualise each case study and subject it to historical and critical analysis. Where possible, concerted effort will be made to investigate topics in ways that Politics, International Relations, and Religious Studies students will all find compelling.

This module, for the most part, concentrates on (Protestant) Christian thinkers from the German-speaking world. These thinkers have dominated the development of Christian thought in Europe and America until very recent times, when various 'political theologies' (Black, feminist and liberationist) started to erode their influence.

The point of departure on this module must be the Enlightenment and its definitive philosopher - Immanuel Kant. The module begins, therefore, by looking at the challenges facing early nineteenth century theologians, consider the responses of five major Christian thinkers of the nineteenth and twentieth centuries and shall end by exploring the challenges facing Christian thought today.

The aim of this module is to examine and evaluate some of the most central issues in Enlightenment and post-Enlightenment Western religious and atheistic philosophical debates. The module will begin by looking at the philosophy of G W F Hegel and its implications for subsequent religious and atheistic thought. We will then proceed to consider the thought of the post-Hegelian ‘masters of suspicion’: Feuerbach, Marx, Freud and Nietzsche. After this, we will look at ways in which religious and atheistic thought have been brought together, as manifested in various forms of ‘Christian atheism.’ Finally, we will consider postmodern critiques of modern atheism and the nature of the associated ‘return of religion.’

This module offers a broad overview of the history of the musical genre in cinema. It begins by examining the use of sound in silent cinema before focusing on the original success of musicals with the arrival of synchronised sound in 1927. The module then tracks the success of movie musicals from the 1930s-1950s, with particular focus on Hollywood successes of MGM, Busby Berkeley, the Astaire-Rogers cycle and the emergence of the self-reflexive musical. Elements of the Hollywood musical in the 1960s and beyond are then studied, with a focus on the importance of the musical soundtrack in Saturday Night Fever (1977) and other films. The module will also examine other traditions where the Musical has been significant, such as India and France. In addition to this, aspects of race, gender and sexuality in the movie musical will be discussed. Some recent Hollywood successes (such as La La Land [2016] or The Greatest Showman [2017]) are studied towards the end of the module in the light of the Musical tradition

The religious landscape in the West has changed significantly over the last hundred years or so. While the emergence of new religions and alternative spiritualities is not a recent phenomenon, the previous century, particularly since the 1960s, witnessed a remarkable proliferation of new religious trajectories. Factors such as increased travel, advances in global communication, and the virtual worlds of cyberspace have made available a bewildering variety of options for religious seekers. In this module we aim to enable you to understand what is taking place in this territory. Through an analysis of established organisations (e.g. Jehovah’s Witnesses) and contemporary developments (e.g. Paganism and UFO religions), you will be introduced to a number of theoretical perspectives and issues, such as violence, millennialism, gender, and charismatic leadership. We aim to make this an enjoyable module, in which you will be encouraged to incorporate case study research in your work.

This module explores efforts to facilitate peace in the contemporary Middle East. Following the US-led invasion of Iraq in 2003, the Middle East has endured a range of serious challenges to the ordering of political life across a number of different states, with serious repercussions for people and their daily lives. Focussing on a range of contemporary challenges including (but not limited to) the rise of sectarianism, geopolitical tensions, the struggle over political participation, and popular protest, the module asks how these issues can be addressed drawing on approaches found in Peace Studies and Political Theory.

This module examines some theoretical issues involved in gaining knowledge about human societies. We will look at the role of theories and models in economics and political science, the special nature of "social institutions," and whether economic and political knowledge can be separated from value-judgments:

• Rational choice theory and models based on it
• Social norms and cooperation
• John Searle’s theory of “institutional facts”
• The nature of money and different accounts of power
• Whether values can or should be kept out of economics and political science
• Some ways in which states and markets are related

This module will introduce students to the thought of Sigmund Freud, the founder of psychoanalysis. As well as providing a firm grounding in Freud's own thought, it will also raise questions about the implications of Freud's thought for philosophy. To this end, it will examine Paul Ricoeur's pioneering work on Freud and philosophy and will also look at the work of subsequent thinkers who have explored the ramifications of Freud's work for philosophy, especially Jacques Lacan, Michel de Certeau and Slavoj Žižek. The module will raise questions about the extent to which philosophy should respond to some of the insights of psychoanalysis.

This module introduces central issues, problems and theories in philosophical aesthetics by critically examining a number of central topics including: the nature of aesthetic experience; the objectivity of aesthetic judgement; emotional responses to fiction; the moral and cognitive value of art; the aesthetic value of nature. In addition to central philosophical discussions, various findings from empirical psychology and neuroscience will also be used. Although examples from all of the arts will be employed throughout the course, the emphasis will be on the wider issues just listed, and not exclusively focussed on art. That is, aesthetics will be explored as an important area of the philosophy of value in general.

Are psychopaths evil or sick? Should the NHS pay for the treatment of nicotine addiction? Is it right for shy people to take character-altering drugs?

Whether a condition is considered a disease often has social, economic and ethical implications. It tends to be taken for granted that what it is to be healthy can be identified and is desirable. Similarly, it is assumed that those who are diseased or disabled can be diagnosed and require help. In this module we question these assumptions via examining the key concepts of normality, disease, illness, mental illness, and disability.

Culture is, one of the most contentious features of contemporary politics and policy. Whether it be the perception of cultures, religious schism and ethnic conflict, migration, cultural diversity impacts on politics and policy. The aim of this module is to challenge and re-orient assumptions about culture and to provide students with the conceptual and analytical resources to understand and assess the politics of cultural diversity. The module grapples with how cultural identities play out in the politics of policymaking with a particular focus on conceptions of the ‘Other’, calling into question cultural categories which emanated from Western scholarship and legacies of colonialism. Using case studies. this module will comparatively study the politics of cultural diversity across nation-states e.g., UK, Canada, China and India to understand different approaches to cultural diversity in policymaking.

This course examines the changing character of war and security in a time of rapid and disruptive technological and geopolitical change. The course combines analysis of contemporary policy documents with the interdisciplinary insights of intellectuals that have examined how war has changed in the modern age. Students are introduced to a range of concepts that are currently significant in the policy debates about the future of war – concepts such as ambiguous war, the gray zone, the third offset strategy and the three block war. While the course is grounded in broader debates from social and political thought about war and modernity, it explores a range of evolving and inter-related case studies that are central to understanding how war is changing: cybersecurity/artificial intelligence; cities and urban war; drones and the future of robotics; climate change and ecological insecurity. Each year we try to bring a guest lecturer from the Ministry of Defence or the FCO to discuss questions relevant to the course – and to discuss how the course can be relevant to a broad range of careers.

This module is designed to allow students to gain experience of educational environments, to develop transferable skills, and to reflect on the role and communication of their own discipline. The module is organised and delivered collaboratively between Lancaster University Students’ Union LUSU Involve, the school/college where the placement is based, and the department.

The module will give students experience of classroom observation and experience, teacher assistance, as well as teaching small groups (under supervision). In particular, the module will not only give students the opportunity to observe and experience teaching and learners for themselves, it will also require them to reflect on how their own subject area (Religion, Politics and International Relations, or Philosophy) is experienced by learners, delivered in other parts of the educational sector, and applied in a classroom setting. Students will also be asked to reflect on how teaching and learning at this earlier level combines with what is taught and promoted at the level of Higher education (as experienced in the University).

(PPR in India) is a special dissertation unit typically open to all PPR students going into their third year. An essential component of the module is three weeks at Manipal University, India. In this immersive three week programme India becomes your classroom as you accompany lecturers to different temples and heritage sites to learn about the India's richly textured culture, vast history, and influential current events. There is no course work do to when you are in India, but upon return you will write a 10,000 word dissertation. The dissertation can be about any topic related to India. Past topics include: political relations between India and Pakistan, India's trade relations with East Africa, the rise of Hindu nationalism, Buddhist ethics, and ancient Indian religious texts.

This module examines the Buddhist scriptures in the Theravada and Mahayana traditions and offers an opportunity for you to understand some of the key concepts and ideas by reading select extracts of the Buddhist texts in English from both schools and traditions. It also allows you to understand the changes in doctrinal emphasis as well as variations in interpretation in the historical development of Buddhism. This module will be a stand-alone module for third year students but will also be accessible to students who are new to the subject.

This module will take a historical and cross-cultural approach to examining the relationship between religion and politics. In the first half of the module, we will look at primary sources from the ancient world, such as Plato’s Republic, the Analects of Confucius, the inscription of Ashoka, and the Laws of Manu. In the second half of the module we will look at contemporary debates about secularism, multiculturalism, and pluralism taking place throughout the world today. Throughout the module we will be addressing the following questions: How has the relationship between religion and politics been characterised in different cultures and at different historical moments? To what extent are ancient discussions about the relationship between religion and political relevant today? Is there something distinctive about recent debates about secularism, or are these debates playing out perennial questions? Is it possible to separate religion and politics?

There are those who claim that religion is little more than a perverse and irrational scar on the modern world, one that invariably causes violence, while others (at times driven by political motivations) claim that religion is ‘good’ and that violence only occurs when ‘religion has been hijacked by other forces’. Others still claim that ‘religious violence’ is a myth constructed for political purposes, and that one should not therefore speak of religion in such terms.

In disentangling such claims, in this module we examine the relationship between religion and violence, asking whether one can draw such associations between the two and whether one can develop any broader theoretical understandings about their relationship that enhances our understanding of religion in the modern world. It thus challenges you to think through and develop an understanding of these issues. While examining a variety of theories and perspectives on the topic, including close examination of the arguments outlined above, we will continually refer to empirical data and case studies in which religious movements and religious individuals have been involved in violent activities, as well as examining cases where acts of immense violence (including genocide) have occurred in what appear to be political contexts, but where religious rhetoric may have been used by the perpetrators of violence.

The aims of this module are to critically examine the teaching of religion in schools as it has developed since 1944, current controversies and possible futures; and, to provide relevant knowledge and understanding for those going on to a teaching career in RS/ethics.

Topics include social and political values in RE, pluralism and truth, spirituality in the curriculum, faith schools and secular worldviews. The focus is on the educational system in England and Wales but with reference to the rest of the UK and Europe.

This module is based around weekly seminars, the aim of which is to give students the opportunity to study trends in the manifestation of religion in the modern world, from secularisation to fundamentalism and from Christianity and Islam to the New Age and Paganism.

Please note that these are meant to be friendly discussion groups, for which students are expected to come prepared and contribute. While the tutor convenes the group and suggests readings, there are no lectures. Each student takes his or her turn to provide a short presentation to the seminar, which then forms the basis for that week’s discussion.

Assessment consists of one 5,000-word mini-dissertation on a topic of the student’s choice, in consultation with the tutor.

This module offers an introduction to the broad area of silent cinema and to a range of critical approaches to this rich area of study. You will have the opportunity to view and analyse a number of important films. We will also explore a number of critical questions raised by this material with regard to the writing and study of histories of cinema (and popular culture in general). We will examine the relationships between technology and form, the economics of film production, distribution and reception, the relationship between cinema and national identity, the social and cultural impact of new (entertainment) media and the study of cinema audiences.

This module will examine the philosophical accounts of the imagination. We will look at theories of the nature of the imagination and its connections to other mental states, such as attention, emotion, memory, beliefs, intentions, and desires, as well as to other phenomena such as dreams. In addition, a range of topics focussing on the role of imagining in a number of different domains will also be explored, including moral judgement, practical reasoning, perception, pictorial experience, and modal thought

Complemented by film and video footage, the module surveys and examines the main themes, debates and approaches to ritualised spirit possession in a variety of social contexts. It also engages established social processes and emerging trends as they are expressed through a range of spirit possession motifs, repertoires and patterns.

This module encourages students to develop an analytical and interpretative framework for understanding beliefs, concrete practices and ongoing transformations concerning ritualised spirit-possession.

In the Twentieth Century, Western philosophy underwent a number of fundamental “turns” — the linguistic turn, the phenomenological turn, the postmodern turn. Some of these changes were viewed as “revolutions” in philosophy. At the extreme end, there were even arguments that Western philosophy, as conceived since Plato, was finished. In this module we explore some of these key transformations. We consider the “linguistic” turn, and the formation of “analytic philosophy” at the turn of the C20. One central figure of this linguistic turn is Ludwig Wittgenstein. But Wittgenstein shifts from being at the centre of analytic philosophy to arguing that philosophy is finished. At the same time, philosophy also undergoes a phenomenological turn. We focus on how this leads, via Sartre, to a revival of existentialism. The contrasts between French philosophy and English-speaking philosophy become even more pronounced in the final third of the C20, with post-structuralism and post-modernist philosophy viewed by the “analytic” philosophy community as not even being a kind of philosophy. We assess the roots of, and justification of, this “analytic/continental” divide.

‘Transgressive Cinema’ is a practice-based module that aims to broaden students’ understanding of film as a form of political enquiry. The module introduces students to critical practices in film, video and expanded cinema that favour process over the end-product. Among the key questions the module addresses are the following: How can film go beyond describing and critiquing the world “as is” and constitute the critique formally? What are the political implications of a film’s formal construction? How do we identify legacies of colonialism in filmic construction and how do we challenge them through creatives devices that transgressive cinema offers? How do we problematise the dominant forms of spectatorship in film practice?

So, while these questions involve rigorous thinking, in practice the module offers a platform where playful experimentations are encouraged. Bringing critical thinking and making into focus, the module invites students to re-examine the dominant aesthetic and narrative conventions of the film/video medium and explore formal elements and their political implications in theory and by practice.

Over the course of this module, students will engage in topics such as: - What is "transgressive cinema" (historically and in recent practices) - Materialist film practices in Britain and the wider European context (1965-1985) - Challenging the perception of language: use of voice, narration, and text as image - Identity politics and video - Queer practices - Performing to camera - Camera-less films - Expanded Cinema - Multiple screens - Abstract film and video. These topics will be explored by students via watching the assigned films, discussing the relevant texts in relation to films and responding to series of practical briefs/tasks to experiment with those ideas.

The module aims to provide students with an in-depth knowledge of the different facets of contemporary Asian conflicts and how international organisations such as the UN, and how Western and Asian governments have attempted to deal with these challenges in recent times. Conceptually, the course will examine the principles of state failure; terrorism, ‘New Wars’, the New Security Agenda, Islamism, nationalism and sub nationalism, international conflict prevention; peace keeping and global governance. Empirically, the course will focus on conflict zones in Afghanistan, Pakistan, Indian Kashmir, the Indian northeast, Chinese Xinjiang and Tibet. Thus, the aim of this module is to provide students with an overview of the security of a region which is now of tremendous global importance.