BL MS Royal 14 E V, detail from fol. 391 (Boccaccio and Petrarch). © The British Library.

Volumes 1-37: D-F

Click 'Find' after each title to go to the relevant volume.
The later volumes include summaries and PDFs of one or two pages.

 

 
A B C D E F G H I J K L M
N O P Q R S T U V W X Y Z
Reports on Productions

AUTHOR TITLE VOLUME PAGES
D
Danchin, Pierre Le Developpement du spectaculaire sur le théâtre anglais (1600–1800): Le Rôle des prologues et épilogues     Find 16 166–176
Davis, Nicholas Allusions to Medieval Drama in Britain (1): A Findings List     Find 4:2 75–76
Davis, Nicholas Allusions to Medieval Drama in Britain (3): A Findings List     Find 5:2 83–86
Davis, Nicholas Allusions to Medieval Drama in Britain (4): Interludes     Find 6:1 61–91
Davis, Nicholas Allusions to Medieval Drama in Britain (5): Old English     Find 6:1 61–91
Davis, Nicholas Allusions to Medieval Drama in Britain: ‘He had a Great Pleasure upon an Ape’: William Horman’s Vulgaria     Find 7:2 101–106
Davis, Nicholas Another View of the Tretise of Miraclis Pleyinge     Find 4:1 48–55
Davis, Nicholas The Meaning of the Word Interlude: A Discussion     Find 6:1 5–15
Davis, Nicholas Spectacula Christiana: A Roman Christian Temple for Medieval Drama     Find 9:2 125–152
Davis, Nicholas The Tretise of Myraclis Pleyinge: On Milieu and Authorship     Find 12:2 124–151
Dean, William Some Aspects of the Law of Criminal Procedure in The Trial of Ismael in Nice Wanton     Find 13 27–38
Diller, Hans-Jürgen The Torturers in the English Mystery Plays     Find 11 57–65
Dillon, Janette John Rastell’s Stage     Find 18 15–45
Dillon, Janette Performance Time: Suggestions for a Methodology of Analysis     Find 22 33–51
Divett, Anthony W. An Early Reference to Devil’s Masks in the Nottingham Records     Find 6:1 28–30
Dutton, Elisabeth ‘My Boy shall Knowe Himself from Other Men’: Active Spectating, Annunciation, and the St John’s College Narcissus     Find 38 68–83
E
Egan, Clare ‘Now Fearing neither Friend nor Foe, to the Worldes Viewe these Verses goe’: Mapping Libel Performance in Early-Modern Devon     Find 36 70-103
Egan, Clare Reading Mankind in a Culture of Defamation         Find 40 116–147
Egan, Clare Women and the Performance of Libel in Early-Modern Devon     Find 38 145–162
Elliott, John Vestiges of Medieval Drama in Spain: The Passion Play in Baena (Cordóba)     Find 10:1 56–62
Epp, Garrett P.J. ‘Into a Womannys Lyckenes’: Bale’s personification of Idolatry. A Response to Alan Stewart     Find 18 63–73
Epp, Garrett P.J. Passion, Pomp, and Parody: Alliteration in the York Plays     Find 11 150–61
Epp, Garrett P.J. ‘Thus am I Rent on Rode’: taking apart the Towneley Crucifixion     Find 37 119 – 133
Evershed, Elizabeth Meet for merchants? some implications of situating Skelton’s Magnyfycence at the Merchant Tailors’ Hall     Find 27 69–85
F
Fletcher, Alan J. ‘Farte Prycke in Cule’: A Late-Elizabethan Analogue from Ireland     Find 8:2 134–139
Fletcher, Alan J. with Meg Twycross and Malcolm Jones ‘Farte Prycke in Cule’: The Pictures     Find 23 100–121
Forbes, Derek A Note on Pageant Waggons     Find 6:1 4
Forest-Hill, Lynn Lucian’s Satire of Philosophers in Heywood’s Play of the Wether     Find 18 142–160



A B C D E F G H I J K L M
N O P Q R S T U V W X Y Z
Reports on Productions


Top of the page.
© Meg Twycross 2016