Subscription enquiries should be sent to:
       Mrs Olga Horner, Medieval English Theatre, c/o Department of English and Creative Writing, Lancaster University,
               LANCASTER LA1 4YD, UK: e-mail  o.horner@lancaster.ac.uk

CONTENTS: Volume 7:1
David Mills The ‘Behold and See’ Convention in Medieval Drama 4–12
Martin W. Walsh The Characterization of Antichrist 13–24
Richard Rastall Female Roles in All-Male Casts 25–51
David Mills The Towneley Cycle of Toronto: The Audience as Actor (review) 51–54
Nick Havely The Mysteries (The Nativity, The Passion, Doomsday) (review of National Theatre production) 54–57
Meg Twycross Mankinde (review) 57–61
Bill Tydeman N. Town Plays at Lincoln (review) 61–64
CONTENTS: Volume 7:2
Philip Butterworth Gunnepowdyr, Fyre and Thondyr 68–76
John Marshall Marginal Staging Marks in the Macro Manuscript of Wisdom 77–82
W.R. Streitberger The Development of Henry VIII’s Revels Establishment 83–100
Nicholas Davis ‘He Had Great Pleasure upon an Ape’: Horman’s Vulgaria 101–106
Lynette R. Muir Women on the Medieval Stage: The Evidence from France 107–119

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© Meg Twycross 2012