There are some new letter forms:
	g is like a modern y with a horizontal head-stroke: the uprights of the g stick up above this like a pair of horns.
	k is like a modern 'copperplate' k, but is doing a high kick.
	Final s has closed up completely into a figure of eight (the 'Danish pastry' s).

Other letter forms are not exactly new, but more swingingly cursive:
	p has developed a characteristic sway.
		v and w (definitely a 'double v') have broad slanting downstrokes with an initial curve for impetus.

Because this is written in English, some of the vernacular English letters familiar from Anglo-Saxon appear:
	þ ('thorn') and 3 ('yogh') are used, though
	þ alternates occasionally with th, as in with in lines 14 and 17.
	And 3 alternates with y: compare you in line 4 with youre in line 24.

Variant Letters
		As usual, there are two forms of s, obeying the usual rules.
		There are also the usual two forms of r, the 2-shaped r following curved and bowed letters.
		v is used at the beginning of words, and u everywhere else (u can look remarkably like an n).
		There are two forms of b.
		i is the usual form. There is an example of ij in the Latin stage direction in line 8.
		However, there is an interesting development. The English first person singular personal pronoun I is written with the longer form of i, which looks like a j. This is possibly because as small i standing by itself it might not be very visible: or possibly because this has become the habit when writing the Roman numeral for 1.
		It also appears at the beginning of some words, such as Ilke in lines 26 and 33, and Ire in line 32. However, is always begins with a small i.

This scribe seems uncertain which form of y he is going to adopt:

He has two forms:
but the first seems identical with English þ, and it is very easy to confuse them. (This is the 'Ye Olde Englysshe Tea Shoppe' syndrome.)

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