{"id":273,"date":"2016-02-16T16:05:52","date_gmt":"2016-02-16T16:05:52","guid":{"rendered":"https:\/\/mobilitiesresearch.wordpress.com\/?p=245"},"modified":"2016-02-16T16:05:52","modified_gmt":"2016-02-16T16:05:52","slug":"mobilities-of-situated-composition","status":"publish","type":"post","link":"https:\/\/www.lancaster.ac.uk\/cemore\/mobilities-of-situated-composition\/","title":{"rendered":"What\u2019s mobile: Mobilities of Situated Composition"},"content":{"rendered":"<p>Research Project: Situated Composition<\/p>\n<p><iframe data-src=\"https:\/\/player.vimeo.com\/video\/155535620\" width=\"1080\" height=\"608\" frameborder=\"0\" title=\"Mobilities of Situated Composition\" webkitallowfullscreen mozallowfullscreen allowfullscreen src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" data-load-mode=\"1\"><\/iframe><br \/>\n<span class=\"tx\">My current research investigates what I am calling \u2018situated composition\u2019, referring to\u00a0<\/span><span class=\"tx\">new possibilities for people with widely varying levels of expertise to carry out sound\u00a0<\/span><span class=\"tx\">production in an unprecedented range of environments due to the growing accessibility\u00a0<\/span><span class=\"tx\">and mobility of digital sound tools, particularly those made available through mobile\u00a0<\/span><span class=\"tx\">apps. Situated composition also operates as a conceptual approach, drawing attention to\u00a0<\/span><span class=\"tx\">the conditions that inform sound practices, and taking \u2018composition\u2019 as the mixture of\u00a0<\/span><span class=\"tx\">material, social, virtual, and digital elements that act as co-composers of one another.\u00a0<\/span><span class=\"tx\">This project blends research and creative practice.\u00a0<\/span><\/p>\n<p>&#8211; Samuel Thulin<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My current research investigates what I am calling \u2018situated composition\u2019, referring to new possibilities for people with widely varying levels of expertise to carry out sound production due to the growing accessibility and mobility of digital sound tools.<\/p>\n","protected":false},"author":221,"featured_media":274,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[28],"tags":[],"class_list":["post-273","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mobilities-general"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.lancaster.ac.uk\/cemore\/wp-json\/wp\/v2\/posts\/273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lancaster.ac.uk\/cemore\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lancaster.ac.uk\/cemore\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lancaster.ac.uk\/cemore\/wp-json\/wp\/v2\/users\/221"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lancaster.ac.uk\/cemore\/wp-json\/wp\/v2\/comments?post=273"}],"version-history":[{"count":0,"href":"https:\/\/www.lancaster.ac.uk\/cemore\/wp-json\/wp\/v2\/posts\/273\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lancaster.ac.uk\/cemore\/wp-json\/wp\/v2\/media\/274"}],"wp:attachment":[{"href":"https:\/\/www.lancaster.ac.uk\/cemore\/wp-json\/wp\/v2\/media?parent=273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lancaster.ac.uk\/cemore\/wp-json\/wp\/v2\/categories?post=273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lancaster.ac.uk\/cemore\/wp-json\/wp\/v2\/tags?post=273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}