{"id":10017,"date":"2022-01-25T18:26:55","date_gmt":"2022-01-25T17:26:55","guid":{"rendered":"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/?page_id=10017"},"modified":"2025-05-03T08:58:49","modified_gmt":"2025-05-03T07:58:49","slug":"outputs-outreach","status":"publish","type":"page","link":"https:\/\/www.lancaster.ac.uk\/fass\/projects\/cmda\/index.php\/outputs-outreach\/","title":{"rendered":"Outputs & Outreach"},"content":{"rendered":"

Aside from maintaining the project Twitter feed (@cinema_memory<\/a>), the CMDA project has undertaken a variety of online and face-to-face activities to disseminate its work, augmented by commissioned creative written, audio, and audiovisual pieces from external collaborators.<\/p>\n

CMDA Conferences\/Symposia<\/strong>
\n‘Cinema Memory: 1930s Britain and Beyond – A Symposium’, 22-23 January 2021, online.
\n‘From Cinema Culture to Cinema Memory\u2019, 6-8 April 2022, Lancaster University, UK.<\/p>\n

Conference presentations and papers<\/strong>
\nNeely, S. (2019, 30 October). Memory, Archives and Creativity, for Cinema Memory and the Digital Archive Project<\/em>. Bill Douglas Cinema Museum.
\nKuhn, A. (2019, 22 November). Keynote: What is Cinema Memory?<\/em> Mining Memories Symposium, University College Cork.
\nKuhn, A. (2020, 19 February). Cinema Memory and the Digital Archive: a genealogy<\/em>. University of Sussex.
\nNeely, S. (2020, 19 February). Memory, Archives and Creativity, for Cinema Memory and the Digital Archive Project<\/em>. University of Sussex.
\nKuhn, A. (2021, 27 May). The Bridge and the Passport: Thoughts on the Remembered Cinematic Experience<\/em>. HoMER Annual Conference.
\nNeely, S. (2021, 27 May). Cinema Memory, Sound and the Embodiment of Place<\/em>. HoMER Annual Conference.
\nKuhn, A. (2022, 8 April). Keynote: \u201cA Freely Available Website, a Historically Significant Archive\u201d<\/em>. From Cinema Culture to Cinema Memory, Lancaster University.
\nKuhn, A. (2022, 22 November). The Bridge and the Passport: Thoughts on the Remembered Cinematic Experience<\/em>. School of Art, Media and American Studies, University of East Anglia.
\nKuhn, A. (2024, 29 April). Keynote: Life History Methods in Audience Research: Origins and Principles. <\/em>Researching Media Audiences, Lancaster University.
\nKuhn, A. (2025, 27 June). Keynote: ‘Lastingness’<\/a>. Screen Studies Conference, University of Glasgow.<\/p>\n

Peer-reviewed publications<\/strong>
\nKuhn, A. (2021). \u2018From Cinema Culture to Cinema Memory: a Conceptual and Methodological Trajectory\u2019, in Kate Egan, Martin Smith and Jamie Terrill (eds), Researching Historical Screen Audiences: Archives, Memories and Methods<\/em> (Edinburgh: Edinburgh University Press).
\nMcDowell, J., & Nissen, A. (2021). A Digital Archive Is Born: Revisiting the ‘Cinema Culture in 1930s Britain’ Collection.<\/a> Alphaville<\/em>, (21), 144-159.
\nKuhn, A. (2023). Exploring Cinema Memory<\/em>\u00a0(Edinburgh: Argyll Publishing).
\nKuhn, A., Llinares, D., & Neely, S. (2024). Reflections on researching cinema memory and the (r)evolution of digital archiving<\/a>. Participations \u2013 Journal of Audience and Reception Studies<\/em>, vol.20, no.1 (2024), 117-138.<\/p>\n

Outreach events<\/strong>
\nUniversity of Exeter Research Seminar<\/a> (October 2019)
\nLancaster University Digital Humanities Forum<\/a> (November 2019)
\nUniversity of Sussex Research Seminar<\/a> (19 February 2020)
\nGlasgow Creative Writing Workshops <\/a> (Glasgow Women’s Library, 5 December 2020 and 15 January 2021)
\nBolton Screening Event<\/a> (Bolton Little Theatre, 16 October 2021)
\nScreening of \ud835\ude1b\ud835\ude29\ud835\ude26 \ud835\ude0e\ud835\ude29\ud835\ude30\ud835\ude34\ud835\ude35 \ud835\ude0e\ud835\ude30\ud835\ude26\ud835\ude34 \ud835\ude1e\ud835\ude26\ud835\ude34\ud835\ude35<\/a>, with guest talk by Professor Jeffrey Richards (The Dukes Lancaster, 27 February 2022)
\nLancaster Creative Writing Workshop (Lancaster University Library, 5 April 2022)
\nLondon Screening Event<\/a>: London Cinemagoers and “Films From Many Nations” (Queen Mary University of London, Mile End campus, 26 May 2022)
\nGlasgow Screening Event<\/a>: An Afternoon at the Cosmo in the 1930s (Glasgow Film Theatre, 7 October 2022)
\nExhibition: \u201cGlasgow Cinema City\u201d \u2014 drawings by Thomas McGoran, former projectionist and CCINTB participant (Glasgow School of Art, 1-11 October 2022)
\nExploring Cinema Memory : British Cinemagoing from the 1930s to the present<\/a> (BFI Southbank, 1 March 2024)
\nCinema Memories: Annette Kuhn<\/a>, an interview with Annette Kuhn on her own memories of cinemagoing (‘Memory Palaces’ website, 8 May 2024)
\nCinemagoing in Harrow in the 1930s<\/a> (Headstone Manor Museum Harrow, 9 July 2024)
\nOnline seminar: Memorias de ir al cine<\/a> (University of Chile, 29 November 2024)<\/p>\n

<\/p>\n

Research-themed blog posts<\/strong>
\nKuhn, A. (2020, 23 October). A Key Aspect of CCINTB’s Research Design<\/em><\/a>. CMDA Project Website.
\nKuhn, A. (2021, 1 March). The Distinctive Tastes of British Cinemagoers<\/em><\/a>. CMDA Project Website.
\nKuhn, A. (2021, 7 June). Deanna Durbin and her British fans<\/em><\/a>. CMDA Project Website.
\nKuhn, A. (2021, 30 July). CCINTB’s 1995 Questionnaire Survey<\/em><\/a>. CMDA Project Website.
\nKuhn, A. (2022, 16 September). Chroniclers of Picturegoing<\/a>.<\/em> CMDA Project Website.
\nKuhn, A. (2023, 1 June). The Elite, the Cosy and the Cosy Bus<\/a>.<\/em> CMDA Project Website.
\nKuhn, A. (2023, 15 September). The Composed and the Heartfelt<\/a>.<\/em> CMDA Project Website.
\nKuhn, A. (2024, 4 April). A “Curious Death”<\/a><\/em>. CMDA Project Website.
\nKuhn, A. (2024, 7 November). “Terrible waste of a brain!”<\/a><\/em> CMDA Project Website.
\nKuhn, A. (2025, 7January). The clothing aspect<\/a>.<\/em> CMDA Project Website.<\/p>\n

Creative works<\/strong><\/p>\n