VI. THE NATURE OF GOTHIC 181

forms an intermediate step between the Byzantine and Gothic forms; but which I find may be conveniently considered in its connexion with the latter style. In order that we may discern the tendency of each step of this change, it will be wise in the outset to endeavour to form some general idea of its final result. We know already what the Byzantine architecture is from which the transition was made, but we ought to know something of the Gothic architecture into which it led. I shall endeavour therefore to give the reader in this chapter an idea, at once broad and definite, of the true nature of Gothic architecture, properly so called; not of that of Venice only, but of universal Gothic: for it will be one of the most interesting parts of our subsequent inquiry¹ to find out how far Venetian architecture reached the universal or perfect type of Gothic, and how far it either fell short of it, or assumed foreign and independent forms.

§ 2. The principal difficulty in doing this arises from the fact that every building of the Gothic period differs in some important respect from every other; and many include features which, if they occurred in other buildings, would not be considered Gothic at all; so that all we have to reason upon is merely, if I may be allowed so to express it, a greater or less degree of Gothicness in each building we examine. And it is this Gothicness,-the character which, according as it is found more or less in a building, makes it more or less Gothic,-of which I want to define the nature; and I feel the same kind of difficulty in doing so which would be encountered by any one who undertook to explain, for instance, the nature of Redness, without any actually red thing to point to, but only orange and purple things. Suppose he had only a piece of heather and a dead oak-leaf to do it with. He might say, the colour which is mixed with the yellow in this oak-leaf, and with the blue in this heather, would be red, if you had it separate; but it would be difficult, nevertheless, to make the abstraction perfectly intelligible:

¹ [See, for instance, ch. vii. § 35, pp. 300-301; ch. viii. § 31, p. 357, and ch. vii. generally.]

[Version 0.04: March 2008]