312 THE STONES OF VENICE

habitation. The refinement of domestic life appears to have been far advanced in Venice from her earliest days; and the remains of her Gothic palaces are, at this day, the most delightful residences in the city, having undergone no change in external form, and probably having been rather injured than rendered more convenient by the modifications which poverty and Renaissance taste, contending with the ravages of time, have introduced in the interiors. So that, at Venice and the cities grouped around it, Vicenza, Padua, and Verona, the traveller may ascertain, by actual experience, the effect which would be produced upon the comfort or luxury of daily life by the revival of the Gothic school of architecture. He can still stand upon the marble balcony in the soft summer air, and feel its smooth surface warm from the noontide as he leans on it in the twilight; he can still see the strong sweep of the unruined traceries drawn on the deep serenity of the starry sky, and watch the fantastic shadows of the clustered arches shorten in the moonlight on the chequered floor; or he may close the casements fitted to their unshaken shafts against such wintry winds as would have made an English house vibrate to its foundation, and, in either case, compare their influence on his daily home feeling with that of the square openings in his English wall.

§ 47. And let him be assured, if he find there is more to be enjoyed in the Gothic window, there is also more to be trusted. It is the best and strongest building, as it is the most beautiful. I am not now speaking of the particular form of Venetian Gothic, but of the general strength of the pointed arch as opposed to that of the level lintel of the square window; and I plead for the introduction of the Gothic form into our domestic architecture, not merely because it is lovely, but because it is the only form of faithful, strong, enduring, and honourable building, in such materials as come daily to our hands.¹ By increase of scale and cost, it is possible to build, in any style, what will

¹ [Compare on this subject, in Vol. XII., Lectures on Architecture and Painting, § 6.]

[Version 0.04: March 2008]