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Inlaid Bands of Murano. [f.p.51,v]

III. MURANO 51

(Plate 3), which represents two portions of the lower band. I could not succeed in expressing the variation and chequering of colour in marble, by real tints in the print; and have been content, therefore, to give them in line engraving. The different triangles are, altogether, of ten kinds:

a. Pure white marble with sculptured surface (as the third and fifth in the upper series of Plate 3).

b. Cast triangle of red brick with a sculptured round-headed piece of white marble inlaid (as the first and seventh of the upper series, Plate 3).

c. A plain triangle of greenish black marble, now perhaps considerably paler in colour than when first employed (as the second and sixth of the upper series in Plate 3).

d. Cast red brick triangle, with a diamond inlaid of the above-mentioned black marble (as the fourth in the upper series of Plate 3).

e. Cast white brick, with an inlaid round-headed piece of marble, variegated with black and yellow, or white and violet (not seen in the plate).

f. Occurs only once, a green-veined marble, forming the upper part of the triangle, with a white piece below.

g. Occurs only once. A brecciated marble of intense black and pure white, the centre of the lower range in Plate 3.

h. Sculptured white marble with a triangle of veined purple marble inserted (as the first, third, fifth, and seventh of the lower range in Plate 3).

i. Yellow or white marble veined with purple (as the second and sixth of the lower range in Plate 3).

k. Pure purple marble, not seen in this plate.

§ 21. The band, then, composed of these triangles, set close to each other in varied but not irregular relations, is thrown, like a necklace of precious stones, round the apse and along the ends of the aisles; each side of the apse taking, of course, as many triangles as its width permits. If the reader will look back to the measures of these sides of the apse, given before, p. 48, he will see that the first and seventh of the series, being much narrower than the rest, cannot take so many triangles in their band. Accordingly, they have only six each, while the other five sides have seven. Of these groups of seven triangles each, that used for the third and fifth sides of the apse is the uppermost in Plate 3; and that used for the centre of the apse, and of the whole series, is the lowermost in the same plate; the piece of black and white

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[Version 0.04: March 2008]