16 ARCHITECTURE AND PAINTING

adorned.¹ It does not matter how many beautiful public buildings you possess, if they are not supported by, and in harmony with, the private houses of the town. Neither the mind nor the eye will accept a new college, or a new hospital, or a new institution, for a city. It is the Canongate, and the Princes Street, and the High Street that are Edinburgh. It is in your own private houses that the real majesty of Edinburgh must consist; and, what is more, it must be by your own personal interest that the style of the architecture which rises around you must be principally guided. Do not think that you can have good architecture merely by paying for it. It is not by subscribing liberally for a large building once in forty years that you can call up architects and inspiration. It is only by active and sympathetic attention to the domestic and every-day work which is done for each of you, that you can educate either yourselves to the feeling, or your builders to the doing, of what is truly great.

3. Well, but, you will answer, you cannot feel interested in architecture: you do not care about it, and cannot care about it. I know you cannot. About such architecture as is built nowadays, no mortal ever did or could care.² You do not feel interested in hearing the same thing over and over again;-why do you suppose you can feel interested in seeing the same thing over and over again, were that thing even the best and most beautiful in the world? Now, you all know the kind of window which you usually build in Edinburgh: here is an example of the head of one (fig. 1), a massy lintel of a single stone, laid across from side to side, with bold square-cut jambs-in fact, the simplest form it is possible to build. It is by no means a bad form; on the contrary, it is very manly and vigorous, and has a certain dignity in its utter refusal of ornament. But I cannot say it is entertaining. How many windows precisely of this form

¹ [So, in Stones of Venice, vol. i., Ruskin says that “every house in every street of every city ought to be good architecture”: see Vol. IX. p. 289.]

² [With §§ 3, 4, compare Stones of Venice, vol. ii. ch. vi. § 28 (Vol. X. p. 206).]

[Version 0.04: March 2008]