374 REVIEWS AND PAMPHLETS ON ART
38. One of the most characteristic drawings of this period fortunately bears a date, 1818, and brings us within two years of another dated drawing, no less characteristic of what I shall henceforward call Turner’s Second period. It is in the possession of Mr. Hawkesworth Fawkes of Farnley, one of Turner’s earliest and truest friends; and bears the inscription, unusually conspicuous, heaving itself up and down over the eminences of the foreground-“PASSAGE OF MONT CENIS. J. M. W. TURNER, January 15th, 1820.”
The scene is on the summit of the pass close to the hospice, or what seems to have been a hospice at that time,-I do not remember any such at present,-a small square-built house, built as if partly for a fortress, with a detached flight of stone steps in front of it, and a kind of drawbridge to the door. This building, about 400 or 500 yards off, is seen in a dim, ashy grey against the light, which by help of a violent blast of mountain wind has broken through the depth of clouds which hangs upon the crags. There is no sky, properly so called, nothing but this roof of drifting cloud; but neither is there any weight of darkness-the high air is too thin for it,-all savage, howling, and luminous with cold, the massy bases of the granite hills jutting out here and there grimly through the snow wreaths. There is a desolate-looking refuge on the left, with its number 16, marked on it in long ghastly figures, and the wind is drifting the snow off the roof and through its window in a frantic whirl; the near ground is all wan with half-thawed, half-trampled snow; a diligence in front, whose horses, unable to face the wind, have turned right round with fright, its passengers struggling to escape, jammed in the window; a little farther on is another carriage off the road, some figures pushing at its wheels, and its driver at the horses’ heads, pulling and lashing with all his strength, his lifted arm stretched out against the light of the distance, though too far off for the whip to be seen.1
1 [For another reference to this drawing, see Ruskin’s Notes on his Drawings by Turner, No. 9 R.]
[Version 0.04: March 2008]