[M.194L] [M.194] Torcello. Duomo. 194
Capitals. Fondaco de Turchi, but incomparably sharper and lovelier
while some {six or} eight are of various designs like that I have
drawn - delicate - rich & piquant to the last degree.
one thing being striking in nearly all; the dedelopment of
the Byzantine basket capital - not the mere basket work.
but the basket with the birds on the edge of it, from the
gradual in and down cutting of the {circular} bell: Thus in this
No 132 of the triangular black holes which are in rows of
three under the edge of the bell - the uppermost of the
three in each row, and the two on each side the point of
the central lobe; are entirely a jour: and in another
capital, the two uppermost are a jour; cut through the
edge of the bell seen in section. I could do no justice
to the perfect grace of the two {double} leaves with crisp curled
ends which are set on the front of the bell towards the
nave: In finishing them, the shades at the upper points of
their leaves should be lighter, and the series of drill holes
sharp & black - Peculiar value is given to their springy
curves by the incision which marks the stem being divided
into three angular bends; like a vine stem: The action
and plan of the whole will be better understood from
fig 6 No 130
[Version 0.05: May 2008]