[M.19L]                                                               [M.19]	Milan.  St Eustorgio.  Duomo.  Verona.  Duomo.	19
                                                                      
                                                                      		at its roof, or centre, coinciding, as if struck with three semicircles
* pouring water into a vase: the water cut in a wavy detached stream  		afterwards passing into right lines, or in places into a reversed curve
                                                                      		of the most delicate kind.
                                                                      Tomb of San Pietro Martire: a most glorious piece of Gothic in church
                                                                      Pisan sculpture	of St Eustorgio at Milan:  statues standing in front of
                                                                      		the square red pillars with flowing foliage capitals: about
                                                                      		½ the size of life - very Nino da Fiesole like - complete
                                                                      		sculpture painting, with exquisite costume; the Temperantia
                                                                      Water carving 	with a veil and ivy crown * and the Obedientia, with a
                                                                      		cattle yoke, praeminently beautiful:  Much spoiled by
                                                                      		gilding above:  A bas relief of a ship with ropes all
                                                                      		undercut out of the marble, remarkable for its picturesqueness
                                                                      		and depth.
                                                                      Variety		Note the bad variety mentioned at p 14 l of the other volume
                                                                      		respecting cathedral of Milan:  as if the architect had tried
                                                                      		one niche and not liked it & then tried another:  how different
                                                                      		from the determined variety which is always a mere modulation
                                                                      		of a  fixed design.
                                                                      Capitals. 	A most pure & simple type in the small double shafted, and
                                                                      		superimposed cloister of Duomo Verona, p 43 N.  The profile
                                                                      		of the capitals on either side, ie. either the dotted line a a b
                                                                      		is a pure right line, as below at c. which is a section
                                                                      		through b, the curvature being entirely given by the bevelled
                                                                      		angles.

[Version 0.05: May 2008]