[M2.131L] [M2.131] 131
two large piers with face shaft and two flanking shafts
on each side; rich groups of seven: variously sculptured
- only to half or not quite half the height of the front,
Some of the flanking shafts are covered with leafage of the common vine pattern. and one much higher than the other. The two main face
The windows to the front have been double [drawing] shafts are both fluted, the one uprightly, the other a
both the first order and the bracket of spiral, with section [drawing] a flat cavetto in groove,
second carved into a rude head another has a rude twist with section [drawing]
But most of the windows are deep The capitals of the main door, peculiarly elaborate in their
many ordered - alternate -round and square figures of {fierce} apes or devils, with moustaches and teeth,
half crouching with their hands impertinently on their
knees, is of some hard dark stone; and so I think the
capitals of another porch: but all the rest is in a coarse
crumbling sandstone, which has rotted away at the
bases almost entirely into great cellular cavities, whose
edge is crumbling away in the hand, all owing - for the
most part to the abuse of the church by the brutal
Italians (look for effect of ammoniacal gas on sandstone)
The pilasters of the main door are covered with flat
sculpture - not the bold monsters of the northern. Note
the Knights shields all the shape fig 1 p 21 Verona book
Cremona. The indiscriminate mingling of the round and pointed arch
and the addition of the element of foliation and that luxuriant
distinguish this cathedral from all others that I remember;
For though in Italian Gothic the round arch as in the
Frari is constantly associated with the point, still the
Spirit of the thing
[Version 0.05: May 2008]