[M2.134L] [M2.134] 134
Genoa Duomo
Cathedral of Genoa. Most singular, as having the utmost delicacy of
detail engrafted on a mingling of our Norman and early
French with Romanesque. The {three} main doors are almost
pure Norman in their plan: only their shafts are set in
front of a sloping wall instead of in nooks; but above the
rolls are carried on touched by zigzag mouldings, or long
teeth, of the severest Norman cast. The capitals are for
the most part of the peculiar early French knob leaved
springing bell; but instead of the heavy contours of
Dijon, their leaves are cut through and through into a
transparent chasing, which I can compare to nothing but
the wrought silver of the strada degli Orefici These
capitals are the most exquisite I have ever seen for
delicacy of effect on the eye from below; perfect filigree
while yet their simplicity of general form is never
sacrificed I think they lose somewhat in dignity and power; but
it is a new form of management of this capital, worth the
most attentive study.
There capitals are set on shafts - some slender and like
rocks some, at least two - of the most graceful wave of
white alabaster - like a rolling wave - properly a spherical
spiral that like that of Raffaelle’s beautiful gate,
others with stems twined round them and throwing off knots
at intervals with great boldness and yet formality - all
finished with consummate
[Version 0.05: May 2008]