[M2.164L] [M2.164] 164
Vienne Cathedral
the niches throughout a grotesque of Jonah in the whale’s
jaws, the whale head nearly as big as the niche itself, is
conspicuous in Northern character.
The first western three or four nave arches, and the
triforium arches all along, which have no capitals, are of
the flamboyant period; But the rest of the church of the
most marvellous Romanesque Gothic I ever saw.
The nave arches are tall, though not so tall in proportion,
as Valence and pointed. Fig 1 p 80 N book is a
rude section of one of their piers, a towards nave, b
to aisle - I shall take them from base to top.
The section P.P. and P.Pq on angles at p 81 N. book belongs
to a pillar in the wall side of Northern aisle, but
substituting fig 1 for the upper part of it, it is that
of base of nave piers: the portion above x being a
complete base, with square plinth and two spurs is given to
the {three} semishafts only and pilaster a only; while the
remaining part of the base below x is a high pedestal
which follows the entire contour of the outer line in fig
1. p 80.
Bases. We have thus two vast steps in advance of Valence; the
spur added, and the treating of the base as {a band are}
an essential part of all the shafts: while at Valence it is
merely an awkward pedestal to the semicircular shaft.
Once this great step made the transition to the entirely
organised Gothic base is easy, I think
[Version 0.05: May 2008]