[M2.177L] [M2.177] 177
Bourges Cathedral
note that in the piers described on No 188 which have the
three ribs to carry - diagonals added; are larger than
the alternate ones, and their lower shafts are set further
apart. Therefore in the small pier the section is as fig 1
No 189, in the larger the basic members are as fig 2 and
the rest of the arrangement the same.
The figures in fig 1 show levels in No 190 where same
letters are used. I have not before seen a case of
systematic projection of the roll c over d. all round except at angles.
Bases. It is better than the irregular projection at Lyons - the
outer line at g2 is right, and e e2 should be parallel
with it. In No 190 the straight cut hollow of the upper
section is a certain fact in some of the bases; the
elliptical line is conjectural one in other. This whole
hollow is a mistake {in architecture}, as most of the rest
of the base, but the hollow especially looking as if the
shaft were loose in the socket; It is a curious
instance of beautiful lines misapplied. The angle leaves
are varied fleur de lis, but now so worn that their real
outline cannot be traced.
Now the bases are in their while system, far in advance
of Lyons, and yet, as noted at p 171 the traceries of
the front of Bourges are far behind Lyons, while its
sculpture appears more recent Is then this facade of Bourges
an example of an earlier manner taken up and richly
developed by later architects?
[Version 0.05: May 2008]