125 117
is of the exquisitely neat masonry and perfect
feeling ho[a]r[s]e; a style of Gothic fourmed by a combination
of Lombard surface ornament with Pisan Gothic: than which
nothing can possibly be more chaste, pure, or solemn:)
and even when they take the Renaissance infection, they
strike out a style not indeed good - but with a Love
and nationality in it, of which the Pallardio and
Sausonivo houses are as void as they are of real beauty.
Vicenza. I was much struck to-day by the house I drew long ago;
a memorandum of its massy e z window on p 59 N. book
note the shafts unusually thick; and the two flower
plinths as luxuriant as the latest Venetian, but far
sharper and more thistly - only a little pastelike doughy
in the roll of their upper lobes - their only fau[i]lt -
They run along the who,e house, and lap over the great
pillars of the finestrato, but waves meeting round
a rock There is a lovely expression of overflowing life
in this: the Venetian plinths all stop short on the shaft
but this rolls one leaf beyond leaf till it laps round:
The lower leaf plinth carries the great shaft bases, and
forms bases of square projecting balconies. now the great
shaft base of the usual raised l af patteern are carried
along in a great plinth under the finestrata balconies,
which are that much therefore shorter in shaft than the
detached balconies, and the shortest indeed I ever saw:
and to sympathize with this thincapitals on flat
[Version 0.05: May 2008]