176 166
VIENNE CATHEDRAL
upside down, compare a and b opposite and remember arc de
l’Etoile But as the semicircular shafts have separate
bases, so they have separate capitals, of which the afore-
said cornice, containing forms the only abacus: These
capitals are of all Romanesque work I have yet seen, the
richest : they are small compared with St Zeno - one
or two close initialled and delicate Corinthian - the
Corinthian order is therefore the origin of all Gothic
but most of them groups of ten or twelve figures; rich
grotesque and elegant beyond description - one (Effie
tells me) having dogs heads small at the angles, with
large leaves coming out of their mouths, which leaves
branch at the extremities with tendrils of smaller
leafage interlacing about the capital another not in the
nave, and of a lower shaft in the choir, is composed of
broad leaves with fir cones between; others of the usual
Early English leaf - each round lob[v]e carvred into a head
knotty heads all round. But the figure groups of the nav[c]e
ar[t]e the most striking.
Let fig 3 p 81 be the head of the shaft with its cornice
above the capitals, stopping on flank of pilaster in
front Then the pier arch is of two orders; whose section
if fig 4 of which the first m2 is carried by m of the pier
and the sub arch n2 by n of the pier.
The sub arch is evidently a form of the classical archi-
trave, its curious
[Version 0.05: May 2008]