47 47
however here traversed by a passage the width of the
inner arcade along which this dentiled cornice runs:
(In the place which I looked at it
Next to this principal Venice shaft comes towards St Marks
one of the old ill cut school, but deeper cut than most -
more undulatory - not ribbed: It has coarse heads and is
very puzzling Its flower band below is of hawthorn
leaves, and very spirited though not delicate, but the
leaves have not the hawthorn fruit nor flower and are
perhaps imaginary.
3rd. x. Towards St Marks. Somewhat better - Coarse heads.
One at the back with curled hair, markedly of
x. I missed the 2nd towards St Mark, which has curious[d] olf time.
bald patent heads very ugly, but old. Bon capitals. 4th. The first Bon capital : Its shaft is thicker
Now note. Between this 3rd and the first Bon capital than the rest - vid palace book of p 27 1. and it shows
the Lion’s head change; in the spandril; from the an instant change in style. In the previous capitals the
ribbed and living type with fluted ear, to a softer and effect has been produced chiefly by bold ribs, arranged
coarser type, with a smooth ear: The first of these often at daring angles; on comparatively flat lobes, the
latter comes, between 3 and the 1st Bon. ribs continuing thick to the extremity of the leaf[c]: and
generally a rib to each main lobe, and always separating
at same point. Palace book, p 24 fig is an example
from the Daged 9th capital, p 28 Gothic book. But in
the Bon capitals all is morbid undulation - not so much
sweeping waves as indented waves: like the crust of
a damson pie, and now each leaf[c] has only 3 main ribs
[Version 0.05: May 2008]