69									46
                                                                      
                                                                      	  No 24, 25, 26, 27, 28, 29.  CHURCH OF FRARI
                                                                      			         AND SAN G AND P.
                                                                      
                                                                      		the Byzantine modified by point, and altered in tracery
                                                                      		       Then		and then - I want the ear[s]liest
                                                                      case of foliation - then there is a great guph - which
                                                                      I cannot cross.
                                                                      Question 1st.	Examine the windows		      with a view to this:
                                                                      noting house described in No 19.  Once this gulph
                                                                      passed;  one goes on to the Doges’ palace - but into
                                                                      what did the doge’s palace die?  It b[s]reaks off
                                                                      abruptly - or q does the second current of Gothic fall
                                                                      in and sweep it away.
                                                                      Again, the churches of San G and Paolo and the Frari are
                                                                      of[a]nn ancient and barbarous gothic - associated with
                                                                      Verona and the Lombards;  with delicate but flat
                                                                      Lombard capitals:  Now note that the arch section of the
                                                                      Frari have - rudely drawn on No 24, is precisely the same
                                                                      as the window section of the house in No 1 , How strange
                                                                      if this should be the correspondent ecclesias[t]tical period.
                                                                      There must howver have been foreign architects - this
                                                                      builders of those Byzantine houses never could have
                                                                      borne the rude shaft, interfered of the Frari.
                                                                      Foliation.		With thisstyle, foliation is rapidly associated, vide
                                                                      drawing of upper and lower window of the apse of the
                                                                      Frari, No 25.  But where did this skill in vaulting
                                                                      Question nd and in foliation come from 2
                                                                      C[V]onsider also, this bold vaulting without external buttres

[Version 0.05: May 2008]