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                                                                                                 MILAN.  DUOMO.
                                                                      Chamouni, Wednesday 17th October, 1849. I climbed yesterday afternoon
                                                                      an hour up the Breven to my old friend the cleft-stone
                                                                      and above, nearly as high again:  the sun and air both
                                                                      so warm as to render the work oppressive:  Two main
                                                                      points I noted on the opposite aiguilles.  That the
                                                                      excessive sharp peak of Chamnoy is on this side quite broad
                                                                      at the base, nearly of the form a opp: showing how safe-
                                                                      ly it may long stand, though from the Montanvert it looks
                                                                      like a lower head:  the other that the deep gaps which
                                                                      seem from the valley to separate the aiguilles are for
                                                                      the most part gaps of perspective:  drawn by the re-
                                                                      tiring lines of the advanced buttresses:  and that the
                                                                      separation between the masses is in reality very shallow
                                                                      in proportion to their height, i.e. c opposite instead
                                                                      of a b.
                                                                      	Milan, Friday 27th Oct.  The cathedral is a mixture of
                                                                      	of perpendicular with flamboyant:  the latter being
                                                                      	peculiarly barbarous and angular, owing to its being en-	
                                                                      	grafted, not on a pure, but a very early penetrative Gothic
                                                                      	thus the ruling lines of the barbarous flamboyant rose,
                                                                      	fig 1. p 29, as given in plain bands at fig 2 (too few
                                                                      	observe: the upper half inch being true:) are evidently
                                                                      directly derived from old Byzantine Bandwork, and as such a[n] 
                                                                      small scale would be very agreeable:  on a large scale,
                                                                      forming as they do the meagre traceries of the roses of
                                                                      the west windows of the intermediate aisles

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