105 75
ST MARK’S PLACE.
Chance. It is, I suppose, an architect’s chief sorrow that his best
Designs must depend for their accomplishment upon accident
and that of his best skill and patience can be of little
avail unless without the concurrence of national caprice:
Happy, if during his lifetime, he, be permitted to see the
completion of his des[g]igns: and nor be compelled to de-
pute their execution on his death bed to ignorance or envy
he yet leaves a work dependent for its effect upon associan[i]
tion over which he has no control: (The painter has noth
thing to dread but the common foes of all greatness - ne-
glect or misrepresentation) and the changed humour of a
generation may at any time destroy by juxtaposition
of incongruous edifices, what perhaps it is only too indo-
lent or too poor altogether to sweep away; His sorrow
should perhaps change into humiliation, when he remembers
that of the effects produced in this kind by the works
even of the greatest men, the noblest have commonly been
fortuitous: that there are few very impressive edifices
whose greatest beauty has not been an unintentional
as the grace of a child’s motion; or the lustre of a
passing wave, and that Men converse, commonly to the
best purpose, when they converse little to their own
knowledge, as the rain does in the rainbow - unconscious
alike of this light it reflects and the Sign it bears -
[Version 0.05: May 2008]