105 75 ST MARK’S PLACE. Chance. It is, I suppose, an architect’s chief sorrow that his best Designs must depend for their accomplishment upon accident and that of his best skill and patience can be of little avail unless without the concurrence of national caprice: Happy, if during his lifetime, he, be permitted to see the completion of his des[g]igns: and nor be compelled to de- pute their execution on his death bed to ignorance or envy he yet leaves a work dependent for its effect upon associan[i] tion over which he has no control: (The painter has noth thing to dread but the common foes of all greatness - ne- glect or misrepresentation) and the changed humour of a generation may at any time destroy by juxtaposition of incongruous edifices, what perhaps it is only too indo- lent or too poor altogether to sweep away; His sorrow should perhaps change into humiliation, when he remembers that of the effects produced in this kind by the works even of the greatest men, the noblest have commonly been fortuitous: that there are few very impressive edifices whose greatest beauty has not been an unintentional as the grace of a child’s motion; or the lustre of a passing wave, and that Men converse, commonly to the best purpose, when they converse little to their own knowledge, as the rain does in the rainbow - unconscious alike of this light it reflects and the Sign it bears -
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