Collations for 3rd Edition Page xlv

edition page line text edition page line text
1 xii - [no preface to third edn] 3 xlv - PREFACE/TO THE THIRD EDITION [to page xlvi]
3 xlv 1 [Preface to 3rd edn follows to page xlvi] 4 xlv 1 [Preface to 3 rd edn not in 4 th edn]

Collations after 3rd Edition Page xlv

edition page line text edition page line text
6 xlvii 10 inconsistency … .33 7 xlvii 10 inconsistency … .3
4 xlvii III§1 anything 5 xlvii III§1 any thing
Complete xlviii I§9 beauty Library 58 I§9 beauty,
4 xlviii II Uneducated 5 xlviii II uneducated
5 xlviii II§8 Sec.I 6 xlviii II§8 Sect.
Autograph xlix IV§4 blameable Complete xlix IV§4 blamable
4 l VII Foregoing 5 l VII foregoing
5 l VII§16 lower 6 l VII§16 Lower
6 l VII§31 architecture 7 l VII§31 architecture,
6 li VII§42 compositions 7 li VII§42 compositions,
Complete lii II§9 Napoleon Library 62 II§9 "Napoleon"
Autograph lii III§3 School. Complete lii III§3 School
Complete lii III§3 Italian School Library 63 III§3 Italian school
6 liii III§3 Italian school 7 liii III§3 Italian School
4 liii IV Dependent 5 liii IV dependent
Autograph liii IV§6 principle. Complete liii IV§6 principle
4 liv I§5 Nature, and 5 liv I§5 Nature and
4 liv I§8 modern masters 5 liv I§8 Turner
Complete lv III§2 or thought Library 65 III§2 nor thought
4 lv III§27 cloud drawing 5 lv III§27 cloud-drawing
4 lvi - [omitted in 4 - added to IV§35. ] 5 lvi IV§31 §31. Morning on the plains
6 lvi 9 in definiteness 7 lvi 9 indefiniteness
4 lvi IV§12 Jumieges 5 lvi IV§12 Jumiéges
Complete lvi IV§12 Jamiéges Library 67 IV§12 Jamièges
4 lvi IV§13 Illustration of the nature of clouds in the opposed forms of smoke and steam 5 lvi IV§13 [omitted, and the numbering of the sections is changed accordingly.]
4 lvi IV§17 17. The individual character of its parts 5 lvi - [omitted in 5 ]]
4 lvi IV§18 18. Deep studied form of swift rain-cloud in the Coventry 5 lvi IV§16 16. Swift rain-cloud in the Coventry
4 lvi IV§23 23. Absence of this effect in the works of the old masters 5 lvi - [omitted in 5 ]]
4 lvi IV§28 §28. His effects of mist so perfect, that if not at once understood, they can no more be explained or reasoned on than nature herself 5 lvi - [omitted in 5 ]
4 lvi IV§29 §29. Various instances 5 lvi - [omitted in 5 ]
4 lvi IV§35 §35. Sketch … old masters. Morning on the plains 5 lvi IV§30 §30. Sketch … old masters.
Autograph lvii II§9 aërial Complete lvii II§9 aerial
Complete lvii II§9 aerial Library 68 II§9 aërial
4 lvii V Modern Art 5 lvii V Turner
Autograph lviii III§20 ,&c. Complete lviii III§20 ,etc.
5 lviii IV§2 and obtuseness 6 lviii IV§2 andobtuseness [typo]
4 lix I Painted 5 lix I painted
4 lx II Painted 5 lx II painted
4 lx II§2 §2. The calm rivers of De Wint, J.Holland &c. 5 lx - [omitted in 5 ]
4 lx II§12 §12. But want of feeling. General sum of truth presented by modern art 5 lx II§11 §11. But want of feeling.
Autograph lxi III§12 agitation, &c., Complete lxi III§12 agitation, etc.,
Complete lxi III§16 Calm Library 72 III§16 Calm,
5 lxi III§22 interrupted 6 lxi III§22 interupted
Complete lxi III§31 effect Library 73 III§31 effect,
4 lxii I§7 generally, 5 lxii I§7 generally
4 lxii I§35 §35. Conclusion. Works of J. Linnell and S. Palmer 5 lxiii - [omitted in 5 ]
Autograph lxiii - [Postscript and Additional notes omitted] Complete lxiii -2 Postscript … 422

Additional notes …424
Complete lxiii -2 Postscript Library 75 -1 Postscript (1851)
Complete lxiii -1 Additional notes

[from Frondes ] 		Library 75 - [omitted]
4 lxiii II§5 §5. There is nothing in his works which can be enjoyed without knowledge 5 lxiii - [omitted in 5 ]
4 lxiii II§6 §6. And nothing which knowledge will not enable us to enjoy 5 lxiii - [omitted in 5 ]
4 lxiii II§8 present works 5 lxiii II§6 last works

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