| edition | page | line | text | edition | page | line | text |
| 1 | 53 | 5 | to him, … thoughts, … enthusiasm, … beautiful, … base, | 3 | 44 | 1 | to him; … thoughts; … enthusiasm; … beautiful; … base, |
| 1 | 53 | -1 | and use of | 3 | 44 | 11 | and reference to |
| 5 | 44 | 4 | all that is base | Autograph | 44 | 4 | all that it base |
| 3 | 44 | 13 | times, | 4 | 44 | 13 | times; |
| 4 | 44 | -4 | common - | 5 | 44 | -14 | common, - |
| 1 | 53 | 24 | beauty | 3 | 44 | 16 | beauty; |
| 1 | 54 | 6 | connoisseur; and of those "standard" pictures with which half the walls of Europe are covered, and for the manufacture of which recipes are to be found in most works on art. "Take one-eighth light, three-eighths middle tint, four-eighths shadow, mix carefully, flavour with cochineal, cool with ultramarine, and serve up with sentiment." Nay, even where a high ideal has been sought for, the search seldom produces more than one good picture, on which a few clever but monotonous changes are rung by the artist himself, and innumerable discords by his imitators, ending in the multiplication ad nauseam of the legitimate landscape ragout, composed of a large tree, a bridge, a city, a river, and a fisherman. | 3 | 44 | -6 | connoisseur. |
| edition | page | line | text | edition | page | line | text |
| 5 | 45 | 2 | coruscation | 6 | 45 | 2 | corruscation |
| 6 | 45 | 6 | statement | 7 | 45 | 6 | treatment |
| 4 | 45 | 8 | beautiful; | 5 | 45 | 8 | beautiful: |
| 4 | 45 | 11 | mankind - | 5 | 45 | 11 | mankind, - |
| 4 | 45 | 12 | all: | 5 | 45 | 12 | all; |
| 4 | 45 | -18 | intellect - | 5 | 45 | -18 | intellect, |
| 4 | 45 | -8 | unseeen, [typo] | 5 | 45 | -7 | unseen |
| Complete | 45 | -8 | desires, that | Library | 136 | 14 | desires,that, |
| 4 | 46 | 12 | there: and | 5 | 46 | 12 | there. And |
| 4 | 46 | 13 | and are | 5 | 46 | 13 | and be |
| 4 | 46 | 18 | them; | 5 | 46 | 18 | them: |
| 4 | 46 | 20 | brickwork; | 5 | 46 | 20 | brickwork, |
| 4 | 46 | -17 | matter: | 5 | 46 | -16 | matter; |
| 6 | 46 | -9 | through it: | 7 | 46 | -8 | through it; |
| 5 | 46 | -8 | through it; | 6 | 46 | -9 | through it: |
| 4 | 46 | -6 | to us. [fn omitted in 4 ] | 5 | 46 | -4 | to us. 1 [fn added: Compare Stones of Venice, vol.i. chap. xxx. §5. ] |
| 4 | 46 | -5 | feeling, | 5 | 46 | -3 | feeling |
| 4 | 46 | -4 | time;) | 5 | 46 | -2 | time); |
| 4 | 46 | -1 | reasons; | 5 | 47 | 2 | reasons: |
| 4 | 47 | 14 | picture, | 5 | 47 | 16 | picture |
| 4 | 47 | 15 | statements; | 5 | 47 | 17 | statements: |
| Complete | 47 | 22 | criticise | Library | 138 | 17 | criticize |
| 4 | 47 | -11 | examination, | 5 | 47 | -9 | examination |
| 4 | 47 | -8 | relation | 5 | 47 | -6 | relation, |