Previous Page Close Next Page

fol. 39v    'Truth not easily Discerned'  (Pt II, Sn I, Ch II)  (3.145)
      
      
      
      
      
      
      
      
 5   
      
      
      
10   
      
      
      
      
15   Note here .    Chinese & Egyptian want of shade.     I remember Barry
     in his lectures - notices this with surprise . & mentions  &c
      
      
      
      
      
20   
      
      
fol. 40r     'Truth not easily Discerned'  (Pt II, Sn I, Ch II)  (3.144-45)
      
      
      
     by the tone & warmth of an Italian sky - yet not having traced the
     feeling to its source - and supposing themselves impressed by its blueness
     they will affirm a blue sky in a painting to be truthful - and reject
     the most faithful rendering of all <its> {the} real attributes ^ {of Italy} as cold or
 5   dull.         And this influence of the imagination over the senses is
     most importantly & constantly felt in the perpetual disposition of
     mankind to suppose that they see  , what they know  .  <a habit>
     Thus if a child be <re>asked to draw the corner of a house - he will
     lay down something in the form of the letter T .       He has no
10   notion <of> that the two lines of the roof , which he knows to be
     level ,  produce on his eye the impression of a slope .     It requires
     repeated & close attention before he detects this fact - or will feel
     that his lines on his paper are false.     So again ^ {because} , we know that
     trees are green . {we suppose ourselves . usually to see them so .} and <we>
     			{a tyro will} affirm a painting of green trees to be
15   more truthful than one which shows them, as they generally are
     in nature - detached from the sky in a cool grey.   And the deception
     which takes place in such broad cases as these - has infinitely greater
     influence over our judgment of the more intricate  and less tangible
     truths of nature.      We are constantly supposing that we see what
20   experience only has shown us - or can show us . to have existence -
     and painters to the last hour of their lives - fall in some degree
     into the error of painting what exists - not what is visible  .  I shall
      

Previous Page Close Next Page

MW