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fol. 14r      [fol. 13v is blank]     	Chapter III of Part I, Section I: 'Of Ideas of Power' (3.94)
      
      
      
     First . 	Ideas of Power
     	These are the simple perception of the mental or bodily powers
     exerted in the production of any work of art.    According to the
     	excellence and degree of the power perceived . is the pleasure
 5   	given by the idea . & therefore the greatness of the idea.
     	Thus . when we see an Indians paddle carved from the handle to
     the blade . we have a conception of industry . and labour . <of> and
     	are gratified in proportion to the time, <and precision of hand.>
     	to the power. ^ {of one kind} that is . which we conceive to have been
10   	necessary to the production of it.#41#     But simple ^ {manual} industry is
     not a power of high order . and therefore the pleasure received is
     	comparatively low .        Of this kind is the pleasure felt <at>
     by those persons who praise a drawing for its "finish" or its "work"
     a pleasure in the perception of simple manual labour .
15   	If <T>to the evidence of labour . be added that of dexterity . as in
     penmanship . <of> or <of> in very delectable carving . <when much
     difficulty has been overcome> . we have a somewhat higher pleasure.
     as dexterity is a power of higher order than simple industry.
     If to the dexterity be added evidence of ease ^ {or} strength <or velocity> .
20   	we have a higher pleasure ^ {still} as these are powers of more difficult

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MW