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fol. 19r   [fol. 18v is blank]		Chapter IV in Part I, Section I: 'Of Ideas of Imitation' (3.101-2)
      
[Slip inserted:  Mod. Painters Vol. I / ----------- / Pt. 1. Sec.1. Chap IV / Page 17. / Ideas of
Imitation]
      
      
      
     		imitation - but in the forcible suggestion of exciting ideas of reality .
     < Nothing properly speaking . is imitated . in waxwork.  <Stuff> dress is
     		given by dress - {hair by hair & .} solidity by solidity . <& colour by colour> .  <It>
     											                Imitation
     is only properly {as}said of works in which one thing is resembled by another
 5   altogether different . as solidity by flatness - satin and fur by oilpaint .
     Sculpture therefore is not an imitative art.  What it gives -  form -
     		is given bona fide .  and no other resemblance is attempted ..  We
     shall insist farther on this distinction in speaking of ideas of truth.
     		Ideas of imitation then .   we consider as <entirely limited to> exclusively . >
10        *those which produce the simple pleasure of surprise. and that not 
     of surprise in its higher sense and function .  but of the mean & petty
     		surprise which is <taken> {felt} in jugglery.  These ideas and plasures \
     are the most contemptible of all that can be received from art.
     		First - because it is necessary for their enjoyment that the mind
15   <should> instead of abandoning itself to the impression of the thing
     		represented - should fix itself upon the <contempl> reflection . that
     <this> {it} is not what it seems to be.  All high or noble impression -  all
     		emotion  .& <all knowledge> {thought} . are thus rendered impossible - while the
     mind exults <in what is something very like> a sensual pleasure .
20   <that of being tickled - or made to laugh - by>   <This sensual> {a} pleasure

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MW