By Emily Spiers
All-female reboots of classic all-male films have been coming thick and fast over the past few years, and there are more to come. At the same time, the comic mills of Marvel and D.C. have begun to translate some of the female superheroes that started life in the comic books into the mass-pop-cultural forms of film and television.
At their best, these films and shows offer a kind of revisionist thinking. They reclaim pop-cultural history for young female audiences. At their worst, they demonstrate the film and television industry’s cynical profiteering from contemporary feminist ideals.