VIII. THE DUCAL PALACE 361

enough in the distribution of the variously bending leaves, and in the placing of the birds on the lighter branches, to prove to us the power of the designer. I have already referred to this Plate as a remarkable instance of the Gothic Naturalism;¹ and, indeed, it is almost impossible for the copying of nature to be carried further than in the fibres of the marble branches, and the careful finishing of the tendrils: note especially the peculiar expression of the knotty joints of the vine in the light branch which rises highest. Yet only half the finish of the work can be seen in the Plate: for, in several cases, the sculptor has shown the under sides of the leaves turned boldly to the light, and has literally carved every rib and vein upon them in relief; not merely the main ribs which sustain the lobes of the leaf, and actually project in nature, but the irregular and sinuous veins which chequer the membranous tissues between them, and which the sculptor has represented conventionally as relieved like the others, in order to give the vine-leaf its peculiar tessellated effect upon the eye.

§ 38. As must always be the case in early sculpture, the figures are much inferior to the leafage; yet so skilful in many respects, that it was a long time before I could persuade myself that they had indeed been wrought in the first half of the fourteenth century. Fortunately, the date is inscribed upon a monument in the Church of San Simeon Grande, bearing a recumbent statue of the saint, of far finer workmanship, in every respect, than those figures of the Ducal Palace, yet so like them, that I think there can be no question that the head of Noah was wrought by the sculptor of the palace in emulation of that of the statue of St. Simeon.² In this latter sculpture, the face is represented in death; the mouth partly open, the lips thin and sharp, the teeth carefully sculptured beneath; the face full of

¹ [See above, ch. vi. § 45, p. 218.]

² [This statue is again referred to in the next volume, ch. ii. § 52, and Venetian Index.]

[Version 0.04: March 2008]