[M.57L]                                                               [M.57]	Fondaco de Turchi. General plan.	57
                                                                      
                                                                      		upon the angle, in the detailed drawing it is missed: The
                                                                      		jut out of the ornamental border above, under the abacus, l2
                                                                      		which is the same as that of the other capital is especially
                                                                      		fine.  It is curious that this running pattern is different
* That which is nearly round the corner in Prout's view of the Salute. (Bernardo)		on the two sides - an example of both is given.  It would
                                                                      		be difficult to find a more admirable example of perfect
[diagram]                                                             		design adapted to rapid & simple execution.
                                                                      		The capital 6 is frequent:  10 occurs only once: and
                                                                      		this one daguerreotyped only once:  at the end of the arcade  There are no basket 		capitals;  and the others are ingenious leafage in the style
                                                                      		of No 6 but a lttle sharper in the angles.
                                                                      		The disposition of the arches is curious:  The wings are
                                                                      		of equal width in both stories;  and have 4 arches above
                                                                      		three:  the central arcade has 18 above 10;  so that
                                                                      		the columns as usual get into all kinds of positions.
                                                                      Schools of Gothic continued from p 48.
                                                                      		monsters in it, which appears between the Byzantine arches:
                                                                      		and the second, a result of interlacing arches: In the palace
                                                                      		next to the Cavalli, * we have these circles become quite large
                                                                      		between ogees with finials vid a opposite;  and this after
                                                                      		we have got to the finial, from our school E: would seem
                                                                      		the step we want to the palazzo Foscari;  There is however
                                                                      		in the Pisani; in the cavalli itself, and in

[Version 0.05: May 2008]