[M2.111L] [M2.111] 111
circle between two rounds; but how basely treated in the
Scuola di San Rocco: Instead of the bold arches with
simple capitals, or, as here, continuous - {but} ready for
decoration by filling the spandrils - we have these
meagre Greek architraves bent round into {tracery} bars -
carried on excessively rich capitals; and decorated
by panels and roses under the soffits - exactly where no
decoration can ever be seen! while all to the front is as
bare and harsh as plain edges can make it; and in
in Vendra- the Vendramin Calerghi the brackets which carry the cornice
min Calerghi are placed exactly above the circle of the tracery,
where the tracery is weakest: this idea of putting a
bracket leaning against a tracery is to me, of all the
vile things I have seen of renaissance, the vilest; The
vulgar musical instruments and hanging ribands of the
Calerghi are in ornamental just what this construction
is in mechanical science.
Ducal palace In the last walk that I took in the upper arcade of ducal
palace, I thought I had been hardly justified in supposing
the ill executed capitals to be of later time; more especially
as I found the upper traceries of the Frari
also rough chiselled and their capitals vilely cut
so that it would seen a general practice of the Italian
workmen to put careless cutting into the upper stories
Ca d’Oro (Note the remarkable exception in Ca d’Oro where also note
the early Byzantine forms of capitals used in the
[Version 0.05: May 2008]