[M2.112L] [M2.112] 112
[diagrams] detached shafts of lower story, while the pilaster heads
are elaborately florid; the whole building being thus
patchwork) only in the Ducal palace it is so strange on
the one hand to find some of the capitals so utterly
coarse and vile - while towards the angle they better
gradually as if the architect expected more people to look
at them from the piazzetta and from between the columns
than from the sea: In fact the current of people might
be considered as setting broad from the Ponte della paglia
as marked by the tidal lines opposite, and when they
spread most, the upper columns would be most regarded
Brick Cross Patterns. Used by Titian in his presentation of the Virgin
when for the rest this architecture is utterly vile, and
very dexterously in San Zaccaria: the old portion of the
Gothic building left in the south east {angle} of the Campo
when there are two patterns in brick of red and white
crosses, as opposite - this from memory; but must I
think be right as the patterns were mere alternations of the
simplest arrangement possible The long bricks are indispensable.
The Lombardic coloured brickwork however never appears
in energy at Venice. It is all small: All the patterns
which I have been drawing so laboriously appear in far
greater splendour here at Padua at Venice they are just
like plants growing smaller in the sea air. The [drawing] pattern for
[Version 0.05: May 2008]