[M2.114L] [M2.114] 114
Pedestals from the bold open arcade with R. shafts beneath it;
& shafts the shafts very short and standing on high pedestals, note
this as allowable when shafts are to serve as foundations:
I think the chief fault of the Venetian palace is a want
of composition about its foundations - its doors being
always bad: This house at Vicenza shows the way to remedy
the defect: as also the Ducal palace; and the Byzantine
ones: Consider the reason of the walling up of the foundations.
Chamfers. There seem two ways of arriving at them, one from the nook
shaft, thus [diagrams] this latter a very frequent
early form, and so [diagram] and [diagram] and the other from the
pure chamfer [diagram] by facing it, or from the edge by
chamfering first, i.e. [diagrams] or perhaps better from
the edge thus [diagrams] the chamfer from the
nook shaft is the one at Padua in most early work at
Venice the moulding [diagram] of the Byzantine seems to have
receded into the chamfer.
Flat pointed The screen of the San Felice chapel Padua is curious for
Arches its bold flat point, fig 1 p 52 N. book with open cusp
apparently stuck on to its lower joint, its section
with det cusp below fig 2 Inside of the screen,
the external cable is absent. The habit of placing a
roll near the dentil seems Paduan, compare fig 1 p 53
(x) which is from the round arch of the tabernacle
(x) and the Eremitani p 56 1.
[Version 0.05: May 2008]