[M2.124L] [M2.124] 124
No 179, 180.
couch and figure, the whole way from the shoulder to the
feet. The Sarcophagus has above it a leaf plinth which
for composition I think unrivalled, figs 1 and 2 No 179
give an angle of it - underneath in centre one of the
usual Christ’s half figure out of tomb hard, but fine -
the Madonna still left on one side - most beautiful
in its action - projecting on a bracket from the sarcophagus.
Round these principal figures are eight small
basreliefs, filling the angles, four above, representing
the acts of Can Grande, 4 below - architectural - of the
towns in which they were done; the battle of Vicenza
on the right, I have drawn: Padua next to the left where
Can Grande is not seen. but the soldiers in Conical
helmets advance under their oblong shields as high as
themselves - with the ladder all the way down - in the
two others he is receiving keys of towns; The effigy on
horseback on the top is much broken; it has been
finished on both sides - the armour richly chased - the
crest thrown back is of a separate piece, bound on with
iron.
San Zeno. The best examples of the peculiar truncated early capital
I have seen are the two shafts which carry the arches of
the entrance to the crypt at San Zeno. One is set behind
the other. The section of both shafts is the truncated 4
foil. fig 1 No 180 but they are set on their bases as in
fig 2. when F. is the front towards the west end or
entrance end
[Version 0.05: May 2008]