[M2.124L] [M2.124] 124 No 179, 180. couch and figure, the whole way from the shoulder to the feet. The Sarcophagus has above it a leaf plinth which for composition I think unrivalled, figs 1 and 2 No 179 give an angle of it - underneath in centre one of the usual Christ’s half figure out of tomb hard, but fine - the Madonna still left on one side - most beautiful in its action - projecting on a bracket from the sarcophagus. Round these principal figures are eight small basreliefs, filling the angles, four above, representing the acts of Can Grande, 4 below - architectural - of the towns in which they were done; the battle of Vicenza on the right, I have drawn: Padua next to the left where Can Grande is not seen. but the soldiers in Conical helmets advance under their oblong shields as high as themselves - with the ladder all the way down - in the two others he is receiving keys of towns; The effigy on horseback on the top is much broken; it has been finished on both sides - the armour richly chased - the crest thrown back is of a separate piece, bound on with iron. San Zeno. The best examples of the peculiar truncated early capital I have seen are the two shafts which carry the arches of the entrance to the crypt at San Zeno. One is set behind the other. The section of both shafts is the truncated 4 foil. fig 1 No 180 but they are set on their bases as in fig 2. when F. is the front towards the west end or entrance end
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