[M2.129L] [M2.129] 129 even in the Griffin wings, and mix it with ivy leaves in their animal friezes. It is however on the west front that Lord L’s description is most justified - but he has not said half enough; The state of mind which it represents seems more that of a feverish dream, than of any determined architectural purpose; or even of any definite love and delight in the grotesque: One capital is covered with a mass of grinning heads: other heads grow out of two bodies, or our of {& under} feet - the creatures are all fighting or devouring - or struggling, for which shall be uppermost and yet in an ineffectual way, as if they would fight for ever, {and come to no decision (dyspeptic again)} Neither sphinxes nor centaurs did I notice, - nor a single peacock {(I believe Peacocks to be purely Byzantine)} but mermaids with twofishestails {(the sculptor having perhaps seen double at the time)} (a good deal like archivoltof St Marks lower figure) strange large fish - apes - stags - (bulls?) dogs&wolves, and horses, griffins - eagles - long tailed birds not peacocks (cocks?) hawks; and dragons without end, {or with a dozen of ends, as the case may be} smaller birds, with rabbits, and small nondescripts, filling the friezes, {Of} one of these friezes the outer arch of the northern porch or door, the three topmostrollscircles are given at (fig 5 No 182) to be compared with the Byzantine scrolls; the actual leaf which is used in the moulding in the house behind Ca Foscari, occurs in other parts of this Pavian arch: and the principle of the whole is exactly the same. But the Lombard animals are all alive
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