[M2.129L] [M2.129] 129
even in the Griffin wings, and mix it with ivy leaves
in their animal friezes.
It is however on the west front that Lord L’s description
is most justified - but he has not said half enough; The
state of mind which it represents seems more that of a
feverish dream, than of any determined architectural
purpose; or even of any definite love and delight in
the grotesque: One capital is covered with a mass of
grinning heads: other heads grow out of two bodies, or
our of {& under} feet - the creatures are all fighting
or devouring - or struggling, for which shall be uppermost
and yet in an ineffectual way, as if they would fight
for ever, {and come to no decision (dyspeptic again)}
Neither sphinxes nor centaurs did I notice, - nor a single
peacock {(I believe Peacocks to be purely Byzantine)}
but mermaids with two fishes tails {(the sculptor having perhaps
seen double at the time)} (a good deal like archivolt
of St Marks lower figure) strange large fish - apes -
stags - (bulls?) dogs & wolves, and horses, griffins -
eagles - long tailed birds not peacocks (cocks?) hawks;
and dragons without end, {or with a dozen of ends, as the
case may be} smaller birds, with rabbits, and small
nondescripts, filling the friezes, {Of} one of these friezes
the outer arch of the northern porch or door, the three
topmost rolls circles are given at (fig 5 No 182) to be
compared with the Byzantine scrolls; the actual leaf which is
used in the moulding in the house behind Ca Foscari,
occurs in other parts of this Pavian arch: and the
principle of the whole is exactly the same. But the
Lombard animals are all alive
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