139 129
even in the Griffin wings, and mix it with ivy leaves
in their animal friezes.
It is howverr on the west front that Lord L’s description
is most justified - but he has not said half enough; The
state of mind which it represents seems more that of a
feverish dream, than of any determined architectural
purpose; or ev[b]en of any definite love and delight in
the grotesque: One capital is covered with a mass of
grinning heads: other heads grow out of two bodies, or
our of and under feet - the creatures are all fighting
or devouring - or struggling, for which shall be upper-
most and yet in an ineffectual way, as if they would fight
for ever, and come to no decision (dyspeptic again)
Neither sphinxes nor centaurs did I notice, - nor a single
peacock (I believe Peacocks to be purely Byzantine)
but mermaids with two tails (the scukptor having perhaps
seen double[w] at the time) (a good deal like archivolt
of St Marks lower figure) strange large fish - apes -
stags - (bulls?) dogs and wolves, and horses, griffins -
eagles - long tailed birds not peacocks (cocks?) hawks;
and dragons without end, or with a dozen of ends, as the
case may be) smaller birds, with rabbits, and small non-
descrps, filling the friezes, Of one of these friezes
the outer arch of the northern porch or door, the three
topmost circles are given at (fig 5 No 182) to be com-
pared with the Byzantine snails; the actual leaf which is
used in the moulding in the house behind Ca Foscari,
occurs in other parts of this Pavian arch: and the
principle of the whole is exactly the same. But the
Lombard animals are all alive
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