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forms, a and b simple, a2 and b2 with bell all rounded;
a3 and b3 bell rounded and bracketed; but of these the
simple a and rich b3 are the most frequent. Taking them
all however in order a: when thisncapital is delicately
cit, it is the most exquisite of all for the changeful
curves of its surface: That surface should never be lost
in its decoration; it is vcut into, as by the Byzantine,
and is most beautiful a2 The curves are comparatively insip
id from the absence of the angle; it is usually cut
deeper and throw into bold masses of leafage, sometimes
becoming literally a boss, it is fine or otherwise
according to its Symmetrical design or its banded and
careless sequence.
a3. A capital most rare: perhaps found only at Venice
q. one not enough explored.
b. Also fine in curvature, and worked with flat leaves;
when cut hollow it looks mean and basketty
b2 Very important owing to its capability of decoration
by simple mouldings, as at Salisbury: becoming
&c and with a round abacus, very rich
b3. The most important of all for leafage decoration.
[Version 0.05: May 2008]