256 30 of Northern Gothic by its supporting bosses, and ) and apertures with an entire piece of external composition consisting of a projecting slab with pillars and pediment, canopies as in Brolesto of Como; Cathedral of Florence &c Doge palace; and so also the classical windows of M. Angelo Palazzo Ricardi, etc note also in Venice and Verona the dripstone right round the window - a fine style better than the bracket. Consider then the expansion of this into a balcony with shafts at the angles and a roof; there is a beautiful one on broletto of Monza - only then there the roof is wooden:) Superimposition. Retaining to the question of Finland architecture and String course; It is evident that in each we may have (4) arch above arch (1) Frieze above frieze (2) arch over frieze (3) frieze over arch. Thus we should have eight nabbers; of which however only have been used extermally[;] 1. Frieze above frieze (a) CounsedL In interior of an- cient temples: as Paestrum, in insular end, Pisa, in bap- tistery of Parma. 2. Frieze above frieze (b) Involved! I know no example of this style, and I think it would be very useful. 2. Arch over friezes, a coursed; very rare; b involved non existant. 3. Frieze over arch a coursed, as when the arc pillars carry a vaulting shaft or rather cornice shaft, to cornice only, as in St Ambrozio; b; involved, a most important style, the great Palladium one of the pillar with side fitted pilaster. St Peters and St Pauls 4 arch over arch, b coursed, universal, c involved, constant in Northern Gothic.
[Version 0.05: May 2008]