163					131
                                                                      
                                                                      			      ST MARKS  TOMB OF DANDOLO
                                                                      		acknowledged  14th century work:  On the right of the
                                                                      Baptistery of St marks is the tomb of Andrea Dandolo
                                                                      on which this inscription says that mille trecentos quatuor
                                                                      ut decies jour (guinos) dedisset - quinque I believe (By
                                                                      the bye, note the Greek Pallas kind of feeling to Madonna i[n]
                                                                      		in inscription,
                                                                      p 69 my St Marks:  and what is said of the stone
                                                                      in Cardinal Zeno’s chapel:
                                                                      Observe also the ornament of the Orange pillars of the
                                                                      altar:  sweeping boughs of stone pine, very grand)
                                                                      i.e.  1354 date of Andrea’s death:  Nothing is to be got
                                                                      from Venice and its lagoons, nor much from Selvatico at p
                                                                      146.  In the Pisan style it is certainly on the sar-
                                                                      cophagus with (three) bas reliefs - very quaint - vide p 12
                                                                      Gothic book is supported on brackets, p 10 1 G book:  which
                                                                      carry first a bold leaf plinth and hacked ledge in Verona
                                                                      marble set in above, fig 1 p 10  G. Book:  above the bas
                                                                      reliefs is another plinth or cornice:  under the recumbent
                                                                      fig p 10 G. book a the bas reliefs are separated by the
                                                                      twisted shafts, p 12.

[Version 0.05: May 2008]