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175 back of 141 176 142
First story of Fasetti. p 53 1 &c it is composed of pair CA FARSETTI
of shafts with stilted arches of a2 section: the eleva- the added left hand moulding place the point p continue
tion of a pair of shafts with masonry above at fig 9 the section up and it is the house angle above the cornice
rolls being of red marble: the rest of Istrian stone, or the section d p being put here to bring it within paper.
marble painted. There is something suspicious to me about Then: on the opposite pag[f]e: I is horizontal section
these arches, the masonry under the roll looks common and o at a the stilted arches worked with underlaid slabs
modern: if old, they are the highest stilted arches round edged: (? Has an outer roll been removed in
with 2 a that I have yet f[r]ound. The shafts are r[t]estorations) 2 Section on the line, b showing the
placed enturely clear, two arches nearly out from curious little double ordered archivolt - all out in from
the block plaster behind them: the capital of both shafts the flat surface of thepanel 3 section through c show-
is a block resting on the pilaster and receiving the shaft ing incision of triangular line, and the little back
briding the i[n]nterval; fig 10 is a plan: the thick of the archivolt, and the small capital through its side.
line of the bottom of the capital under the roll, the dottd 4 the same small capital, larger. 5, base of small shaft,
lines of pilaster and shafts, only plaster should be deeper showing how it projects over the panel mouldings with go
Fig 7 & 8 are profiles 7 of the plain shaft head of the entirely round: and as they come between the small
narrower side arches, 8 of the ugly and rude head utterly archivolts, and the roll of the great cornice, so they
barbarous of the central arches: vid daguerre. The bases come between the small archivolts, and the roll of
are the same as on ground floor, and have had the same the great cornice, so they come between the small bases,
continuous plinth now broken away. Fig 11 is, as well as and the roll of the great base. This great base is just
I could see the flat cornice on top of first story as continuous as the great cornice, forming a plinth, and
On page 149, 1 are measures taken on one of central arches plain bases to shafts as in fondaco de Turchi. Only
here, there are no leaves at the angles, plain circular
mouldings on square plinth, fig 6 p 53 1 it is impossible
therefore to have a simpler arrangement, I may almost begin
with it. and the curious furrowed system and equal levels o[f]
the omouldings make it highly interesting. The other figue[r]
at p 53 are of upper, first story, Vid o[p]pp.
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[Version 0.05: May 2008]