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fol. 33r [fol. 32v is blank] 'Of Ideas of Truth' (Pt I, Sn I, Ch V) (3.108?)
'Of Ideas of Beauty' (Pt I, Sn I, Ch VI) (3.109)
[Slip inserted: Mod. Painters / Vol I. / ---- / Pt. 1. Sec 1. Chap VI / Ideas of Beauty / Page
25 / --- ]
observe that the means by which this idea has been received - are not those by
which it is usually received . but only something like them . In receiving
an idea of truth then . we pay entire <ent>{att}ention to the fact. in receiving an
idea of imitation . entire attention to the means by which it was stated .
5 Finally . Ideas of imitation are the destruction . and ideas of truth . the
foundation . of all art . ^ {But} Of the re{a}l<ative> dignity of these latter. and of
{that of} the pleasures they convey . we shall be better able to judge after examining
their
<nature of> {connection with> Ideas of Beauty & relation . Part <1>{2}st{nd}.
<Chap> Sect & Chap 1st .
Of Ideas of Beauty .#64#
10 Any modes of form or colour . which give pleasure to the eye. or excite
pleasurable emotions in the mind . merely as forms and colours . without
any cooperation of the intellect - but by their own simple operation on our
animal nature. I call generally beautiful . and the ideas which we
receive from them . ideas of beauty. Thus the colour of blue is natu{r}ally
15 and by an inherent power productive of more pleasure to every healthy
human eye - than the colour of brown. and the form of a circle more agreeable
than the form of a square. Farther - <p#65#>colours in intensity & purity are not
only pleasing to the eye - but affect the emotions as music does. soothing -
exciting - or hallowing the feelings . and forms also. in a less degree .
20 Any effect on the feelings of this kind with which the intellect has nothing to do
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MW