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 Ling 131: Language & Style
 

 Topic 8 - Discourse structure and point of view > Being the author

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Session Overview
Discourse structure and point of view
Discourse structure of 1st and 3rd person novels
Being the author!
Different kinds of point of view
Linguistic indicators of point of view
Ideological viewpoint
Point of view in a more extended example
Point of view checksheet
Topic 8 'tool' summary
 
Useful Links
Readings

Being the author!

Viewpoints

You will learn most from this task if you complete it in discussion with others. Below is a description of part of a story we have invented. We have tried to tell it in as neutral or 'objective' a way as possible. In other words, we have made a point of narrating it so that it is not 'attached' to the viewpoint of any of the participants/characters.

Your overall task is to re-tell the story from the viewpoint of one of the characters, and consider how you have changed the text to achieve that. But to help you, we have broken that overall task down into a number of stages.

  1. Read the text below a couple of times until you feel you are familiar with it, then discuss what features of the text give it the 'neutrality' we have tried to achieve and compare your conclusions with what we say (by clicking on the text).

    (1) A woman is sitting in a room with the door closed.
    (2) She is stroking a cat, which is sitting on her lap.
    (3) A man, who has a gun in his hand (he is a policeman looking for an escaped murderess) enters the room suddenly. (4) The woman jumps up in fright.
    (5) The cat runs past the man and out through the door.
    (6) The woman attacks the man with a knife. (7) In reaction he shoots the woman,who receives a wound in the arm.


  2. Below the story is repeated. Click on the number of each sentence to see a picture of what is described from the neutral viewpoint we have adopted.

    (1) A woman is sitting in a room with the door closed.
    (2) She is stroking a cat, which is sitting on her lap.

    (3) A man, who has a gun in his hand (he is a policeman looking for an escaped murderess) enters the room suddenly. (4) The woman jumps up in fright.
    (5) The cat runs past the man and out through the door.

    (6) The woman attacks the man with a knife. (7) In reaction he shoots the woman, who receives a wound in the arm.

  3. Now imagine the story as it would be perceived by just ONE of the characters, the man or the woman. Draw a picture of each step of the story to take account of the restricted viewpoint you choose. This set of drawings will be the basis of your writing task below. Note that restricting the viewpoint in this way will mean that some of the visual information we have provided in our 'click-ons' above may 'disappear' as a result of the viewpoint restriction.

  4. Now rewrite the sentences in the original story, from the point of view of either the woman or the man, to correspond with the pictures you have drawn. Use the 1st-person and past tense narration mode. Stick as closely as you can to what is described in the original (don't invent unnecessary new events, for example), but pay close attention to encapsulating the perceptions related to the viewpoint you have chosen to represent. You can insert a few important extra details where you feel they are really necessary, but only if they are strictly relevant to the change in viewpoint. This is not a free exercise in creative writing! We are most interested in your narrating roughly the same content as in the original, but from the point of view of the different participants, so that you can see how particular linguistic forms are indicative of viewpoint. Change the words as much as you like, while keeping the basic content intact. You may find that you need to omit particular details from our original, or change the sequence in which the events occur. Note that there are many possible ways in which you can adequately re-cast the story. There isn't just one reasonable 'answer' (though there are also even more re-casts that are inadequate, and which you may well not even consider!)

  5. Note down what linguistic changes have you made in order to adopt this new viewpoint.

  6. Now compare your work for steps 4 and 5 above with our efforts.

    Man's Viewpoint    Woman's Viewpoint

  7. Is the neutral text we started with really neutral? After you have considered this question, compare what you think with what we think.

    Our answer

  8. Could you have restricted the viewpoint to just one of the characters while using a 3rd-person narration mode?

    Our answer

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