Professor Geraldine Harris

Professor

Current Teaching

At present at undergraduate level Gerry teaches Devising and Television Drama

Ceci n’est pas un argument appropré (this is not a proper argument)
Harris, G.M. 2016 In: Studies in Theatre and Performance. 36, 1, p. 52-57. 6 p.
Journal article

Entertaining discussion: the Long Table and Porch Sitting
Harris, G.M. 2015 In: The only way home is through the show. London and Bristol : Live Art Development Agency and Intellect p. 204-209. 6 p.
Chapter (peer-reviewed)

Post-postfeminism?: Amelia Bullmore’s Di and Viv and Rose, April de Angelis’s Jumpy and Karin Young’s The Awkward Squad.
Harris, G. 2014 In: Contemporary Theatre Review. 24, 2, p. 177-191. 15 p.
Journal article

The ethics and politics of witnessing Whoopi
Harris, G. 2013 In: Visions and revisions. Copenhagen : Museum Tusculanum Press, University of Copenhagen p. 115-130. 16 p.
Chapter (peer-reviewed)

A return to form?: postmasculinist television drama and tragic heroes in the wake of The Sopranos.
Harris, G. 12/2012 In: New Review of Film and Television Studies. 10, 4, p. 443-463. 21 p.
Journal article

A good night out for the girls: popular feminisms in contemporary theatre and performance
Harris, G., Aston, E. 2012 London : Palgrave Macmillan. 232 p. ISBN: 9780230281035 .
Book

Aging provocateurs and spect(er)acular pub(l)ic performances
Stevens Abbitt, E., Frank, J., Harris, G., Mock, R. 2011 In: Performance Research. 16, 2, p. 50-56. 7 p.
Journal article

Apres toutes ces elles/ after all this else: ‘new’ French feminisms translated to the British scene
Harris, G. 2011 In: Contemporary French Theatre and Performance. Palgrave Macmillan p. 224-235. 12 p.
Chapter (peer-reviewed)

Watching Whoopi : the politics and ethics of the ethics of witnessing.
Harris, G. 05/2009 In: Performance Paradigm. 5, 1, p. n/a.
Journal article

Susan and Darren : the appearance of authenticity.
Harris, G. 12/2008 In: Performance Research. 13, 4, p. 4-15. 12 p.
Journal article

How to shop
Harris, G. 2007 In: Bobby Baker. London : Routledge p. 191-195. 5 p.
Chapter (peer-reviewed)

Integrity: the essential ingredient
Harris, G., Aston, E. 2007 In: Bobby Baker. London : Routledge p. 109-116. 8 p.
Chapter (peer-reviewed)

Performance practice and process: contemporary [women] practitioners.
Aston, E., Harris, G. 2007 Basingstoke : Palgrave Macmillan. 194 p. ISBN: 9780230001541.
Book

Beyond Representation: Television Drama and the Politics and Aesthetics of Identity.
Harris, G.M. 2006 Manchester University Press. 200 p. ISBN: 0719074584.
Book

Feminist futures?: theatre, performance, theory
Harris, G.M., Aston, E. 2006 Palgrave Macmillan. 243 p. ISBN: 9781403945327.
Book

It's good to look at one's own shadow: a women's international festival and questions for international feminism
Harris, G., Aston, E., Simic, L. 2006 In: Feminist futures? :. Houndmills : Palgrave Macmillan p. 169-189. 21 p. ISBN: 9781403945327.
Chapter

Turing Test: doo-cot Theatre Company's Frankenstein : The Final Blasphemy and the limits of the (post) human.
Harris, G.M. 2006 In: Performing Nature: Explorations in Ecology and the Arts. Berne: Peter Lang 133 p. ISBN: 3039105574.
Chapter

Foreshadowings and After Blows: Fiona Templeton’s The Medead
Harris, G. 2004 In: Studies in Theatre and Performance. 23, 3, p. 165-177. 13 p.
Journal article

Double acts, theatrical couples, and Split Britches' 'Double Agency'
Harris, G. 08/2002 In: New Theatre Quarterly. 18, 3, p. 211-221. 11 p.
Journal article

Repetition, quoting, plagerism and iterability (Europe after the rain - again).
Harris, G. 06/1999 In: Studies in Theatre Production. 19
Journal article

Staging Femininities: Performance and Performativity
Harris, G. 1999 Manchester : Manchester University Press.
Book

Introduction to Part II: Women Taking the Stage: Women in Theatre 1660-1960
Harris, G. 1998 In: The Routledge Reader in Gender and Performance. London : Routledge
Chapter (peer-reviewed)

The I of the Beholder: Annie Sprinkle Revisited
Harris, G. 1998 In: Shattered Anatomies: Traces of the Body in Performance. Arts Council Great Britan/Arnolfini
Chapter (peer-reviewed)

Regarding history - Some narratives concerning the Cafe-Concert, Le Music-Hall, and the feminist academic
Harris, G. 1996 In: TDR. 40, 4, p. 70-84. 15 p.
Journal article

Confusions of identity in theory and practice
Harris, G. 1994 In: Contemporary Theatre Review. 2, 1, p. 11-23. 13 p.
Journal article

Gender and Devising
Harris, G. 1994 In: Studies in Theatre Production. 9, p. 2-19. 18 p.
Journal article

The archetype and its shadow, Medea and the everyday
Harris, G. 1994 In: Women and theatre. Department of Drama and Theatre Arts, University of Birmingham p. 11-27. 16 p. ISBN: 0951887513, 9780951887516.
Chapter

Yvette Guilbert: la femme moderne on the British stage
Harris, G. 1992 In: The New Woman and Her Sisters. Ann Arbor : University of Michigan Press p. 115-133. 19 p.
Chapter (peer-reviewed)

But Is It Art? Female Performers in the Café-Concert
Harris, G. 1/11/1989 In: New Theatre Quarterly. 5, 20, p. 334-347. 14 p.
Journal article

A Great Bath of Stupidity: Audience and Class in the Cafe-Concert
Harris, G. 1987 In: Theatrephile. 2, p. 3-15. 13 p.
Journal article