| Linguistic indicators of point of viewTask F - Verbs of perception and cognitionIn the extract below, we are clearly given the point of view of the character 
        Ida Arnold. What role do the highlighted verbs play in this?
  
         Ida Arnold sat up in the boarding-house bed. (1) 
          For a moment she didn't know where she 
          was (2). Her head ached with the thick 
          night at Sherry's (3). It came slowly back 
          to her as she stared at the thick ewer 
          on the floor ... (3)  (Graham Greene  , 
        Brighton Rock) Our answer   Value-laden expression - attitudinal 
        and ideological viewpoint markersBesides the spatial, temporal and social aspects of viewpoint, 
        we also need to consider personal and ideological attitude. Someone's 
        viewpoint can also apply to how they feel about something, or what their 
        attitude to it is. Consider the quotation below from a short story by 
        D. H. Lawrence. Fanny is an educated woman who had left her village and 
        the working class man she would otherwise have had to marry, in order 
        to become a governess. Now her job has come to an end because her charge 
        has now grown up, she is forced to return to the village to marry Harry, 
        something which she appears very unwilling to do. We have highighted the 
        words and phrases we are going to concentrate on:  
         She opened the door of her grimy branch-line 
          carriage, and began to get down her bags (1). The porter was nowhere, 
          of course, but there was Harry (2). There, 
          on the sordid little station under the 
          furnaces, she stood, tall and distinguished, 
          in her well-made coat and skirt and her 
          broad grey velour hat (3).  (D.H. Lawrence  , 
        Fanny and Annie.) First of all we can note the way in which the adjectives 
        concerning the carriage of the train and the railway station are not just 
        descriptive. They also have connotations which suggest disapproval on 
        the part of the narrator and the character Fanny, from whose viewpoint 
        the scene is surveyed, The external description of Fanny herself is, by 
        contrast, approving in terms of the adjectives used. She appears to be 
        a cut above her surroundings. We can also note the use of the distal deictic 
        'there' being used not just to suggest physical apartness from the perceiver, 
        but also an analogical attitudinal distance. Harry is being coded in the 
        same was as the unpleasant surroundings. In the Lawrence extract we have just examined, the attitudes indicated 
        are by and large personal. But when such views are representative of more 
        general attitudes they are often referred to as ideological in nature. 
        Hence the shared social or political views of a group of people might 
        be called ideological. We can see this if we return to the example from 
        Something Out There by Nadine Gordimer, which we reproduce here 
        for convenience:
  
        Whatever it was, it made a nice change from the usual sort of news, 
          these days.  The phrases 'a nice change' and 'the usual sort of news' 
        can now be seen as marking the attitude of the woman who is thinking these 
        thoughts. Hence the news about the presence of the dangerous animal is 
        described in approving terms (which is surely odd in itself), compared 
        with ;'the usual sort of news'. But what is 'the usual sort of news' in 
        this context? She is a white woman in South Africa as the apartheid system 
        is breaking down. Hence it is possible to see her as representative of 
        many white South Africans who had become to believe that their privileged 
        existence at the expense of their black countryfolk (who were educated 
        less well, had fewer legal rights and so on) was a right. Here, then we 
        have an ideological viewpoint being expressed, to which to some degree 
        we are being made to 'accommodate' via the use of deixis, given and new 
        information and value-laden expressions. But in this case it is rather 
        difficult to agree with the ideological viewpoint being assumed by the 
        woman, and so we are left with an ironic tension between the pull of the 
        viewpoint markers and the content of what is being expressed. Viewpoint 
        considerations in this little extract are thus quite complex, and the 
        irony involved is not unlike that we saw with Mr Verloc waiting to be 
        murdered by his wife.   |