Dr Sam RichesAcademic Co-ordinator, Regional Heritage Centre
Sam is the Academic Co-ordinator of the Regional Heritage Centre, having worked as the Co-ordinator of its predecessor organisation, CNWRS, since 2009. She has responsibility for arranging study days and other public events, managing the Centre's oral history archive and overseeing heritage consultancy and other activities. For more information about the Centre see www.lancs.ac.uk/rhc
Sam is also an active researcher, with a number of publications to her name on the cult of St George and the interplay between gender identity and and saintliness in the late medieval period.
Sam has an interest in distance learning, and has developed and taught online and blended courses in Art History and History for Oxford University and Lancaster University.
Sam is a cultural historian of the late medieval period, with a special interest in the cults of pseudo-historical saints. She has published extensively on the cult of St George, and has also worked on the cult of St Ursula. Sam is primarily interested in the presentation of gender identity and the role of encounters with the monstrous, both in written narrative and visual motifs associated with popular devotion to saints.
Sam has worked at a number of UK universities. She completed her PhD at the University of Leicester, where she also taught History of Art for a number of years. She also worked for the Department of Continuing Education at the University of Warwick, teaching courses on late medieval religion. Sam subsequently held a temporary lectureship in History at the University of Huddersfield, and then held temporary posts teaching Art History at the Universities of St Andrews and Aberdeen, and also worked for the Department of Continuing Education at the University of Dundee.
Sam joined Lancaster University in 2005, to run the History and Archaeology programme of the Department of Continuing Education; she also taught courses on History and Art History. She moved to her current post in April 2009.
Sam has undertaken a considerable amount of publicity and other work arising from her books St George: a saint for all (Reaktion, 2015) and St George: Hero, Martyr and Myth (Sutton, 2000 and 2005), including public lectures and a number of interviews with regional newspapers and radio stations. She also appeared on ‘Start the Week’ (BBC Radio 4) in November 2000 and recorded a number of interviews on location for a BBC Radio 4 documentary series presented by Ian Hislop, broadcast in August 2002 and repeated in February 2003, on myths associated with the patron saints of Britain and Ireland. She appeared on ‘The Real Patron Saints’, presented by Robert Beckford, broadcast on Channel 4 in December 2005. More recently she appeared on BBC Radio 5 Live on St George's day 2015, and in a discussion on saints in February 2016, she has also been interviewed on BBC Radio 4's Today progamme.
Other radio work has included presenter/researcher on 'The Archive Hour: the Women Left on the Shore' for Unique/BBC Radio 4, and 'Beyond Belief: Patron Saints' for BBC Radio 4 (2011); on television she has contributed to two Channel 5/Discovery Channel co-productions, 'Secrets of the Cross: The Mary Magdelene Conspiracy' (2008) and 'The Mystery Files: Pope Joan' (2010).
In 2008-9 Sam was the primary author for a website project funded by Lancashire and Cumbria County Councils, which is aimed at encouraging schools and community groups throughout the two counties to explore inclusive concepts of Englishness, culminating in celebrations on St George’s Day (23rd April) 2009.
2015: St George: a saint for all (Reaktion) 50,000 words, 28 illustrations. This book focuses on contemporary understandings of St George in a multinational and multi-faith context.
2000: St George: Hero, Martyr and Myth (Sutton): 85,000 words, 110 illustrations. A revised edition of this book was published in paperback in March 2005.
2002: Gender and Holiness: men, women and saints in late medieval Europe, co-edited with Dr Sarah Salih of the University of East Anglia (Routledge): 95,000 words. This is the first volume of the series Routledge Studies in Medieval Religion and Culture, general editors George Ferzoco and Carolyn Muessig. There are ten papers, with contributions from scholars from the UK, the USA, Germany and Canada. Sam contributed a paper entitled ‘St George as a male virgin martyr’ (pp. 65-85) and co-wrote the introduction (pp. 1-8).
Articles and Chapters in Edited Collections
In press: 'Male Martyrs, Female Models? St Ursula and St Acacius as Leaders and Victims' in The Cult of St Ursula and the 11,000 Virgins ed. Jane Cartwright (University of Wales Press, forthcoming)
In preparation: 'An English patron for English People: the reinvention of St George', for Rewriting Holiness: the reconfiguration of cults, ed. Madeleine Gray (under consideration by Kings College London Medieval Series)
2014: 'Relics of Gender Identity: interpreting a reliquary of a follower of St Ursula', in Matter of Faith: an interdisciplinary study of relics and relic veneration in the medieval period ed. James Robinson and Lloyd de Beer with Anna Harnden (The British Museum Research Publication 195), pp.143-50.
2011: 'Saint and Monster, Saint as Monster: exemplary encounters with the other', Studies in Church History 47, pp. 125-135.
2010: 'Blended Learning in the Delivery of History Skills: engaging the distant learner, in Building Inclusive Academic Communities: case studies in History, Classics and Archaeology ed. Kimm Curran and Lisa Lavender (Higher Education Academy Subject Centre for History, Classics and Archaeology), pp.17-18.
2010: Twenty-five entries, including St George, for the Oxford Dictionary of the Middle Ages, general editor Robert Bjork.
2010: ‘Cultural representations of the body’, in A Cultural History of the Human Body in the Medieval Age, ed. Linda Kalof (Berg), pp.181-202. This chapter is co-written with Dr Bettina Bildhauer of the Department of German, University of St Andrews.
2008: ‘An Alabaster Altarpiece of St George’ in The History of British Art 600-1600 ed. Tim Ayres (Tate Publishing) pp. 76-77.
2007: ‘Virtue and Violence: saints, monsters and sexuality’ in Medieval Sexuality: A Casebook ed. April Harper and Caroline Proctor (Routledge) pp. 59-78.
2006: A contribution of around 3000 words to ‘A Tudor Cupboard at Cothele, Cornwall’ by Nicholas Riall and Rachel Hunt, Archaeological Journal vol. 163, pp. 147-79. Sam's section (pp. 161-167) focuses on the iconography of panels featuring St George and the Fall.
2006 ‘St George’: article in the Encyclopaedia of the Crusades, ed. Alan V. Murray (ABC-Clio), pp. 508-509.
2006 ‘Hagiography in Context: Images, Miracles, Shrines and Festivals’ in A Companion to Middle English Hagiography: Texts and Contexts ed. Sarah Salih (Boydell and Brewer) pp. 25-46.
2003: ‘Encountering the monstrous: saints and dragons in medieval thought’ in The Monstrous Middle Ages, ed. Robert Mills and Bettina Bildauer (University of Wales Press), pp. 196-218.
2003: ‘A figure of St George and the dragon’, catalogue entry for the exhibition The Glory of Gothic: Art in England 1400-1547, ed. Richard Marks and Paul Williamson (Victoria and Albert Museum, 9th October 2003 to 18th January 2004), cat. no. 284, p. 397.
2002: ‘The Imagery of the Virgin Mary and St George in the Stalls of St George’s Chapel, Windsor Castle’ in Windsor. Medieval Archaeology, Art and Architecture of the Thames Valley (British Archaeological Association Conference Transactions XXV) ed. Laurence Keen and Eileen Scarff, pp. 146-154.
2001: ‘The lost St George cycle of St George’s Church, Stamford: an examination of iconography and context’ in St George’s Chapel, Windsor, in the late Middle Ages, ed. Colin Richmond and Eileen Scarff (Maney for the Dean and Canons of Windsor), pp. 135-150.
2000: ‘Seynt george...On whom alle englond hath byleve: St George as a patron saint in late medieval England’ History Today 50 (10) pp. 46-51.
1998: ‘The Alabaster Altarpiece of La Selle, Normandy: a Preliminary Report’ in Southwell and Nottinghamshire. Medieval Art, Architecture and Industry (British Archaeological Association Conference Transactions XXI) ed. Jennifer S. Alexander, pp. 93-100.
1998: ‘L’histoire du retable de La Selle’ in the catalogue of the exhibition D’Angleterre en Normandie: sculptures d’albâtre du Moyen Age (Musée des Antiquités, Rouen, 12th February - 31st May 1998; Musée d’Evreux, 1st July - 31st September 1998), pp. 90-91.
Sam has undertaken commissioned authorial work for three interactive CD Roms produced by the Society for the Study of Medieval Christianity and Culture, based at the University of York: The English Parish Church (2010) Pilgrims and Pilgrimage (2007) and Images of Salvation (2004). This work involved researching and writing commentaries on the role of saints' cults in parish life, a variety of saints’ narratives and also a range of medieval images drawn from both biblical and apocryphal narratives. These CD Roms are aimed primarily at an undergraduate audience; details may be viewed at http://www.christianityandculture.org.uk/products