In a significant exploration of the interplay between performance and various forms of media, Lancaster University professors Andrew Quick and Richard Rushton have curated a seminal collection titled Theatricality and the Arts with Edinburgh University Press. Delving into the complexities of theatricality across film, theatre, art, and contemporary media, the book offers a multidisciplinary examination that challenges conventional notions and embraces the evolving landscape of artistic expression.

The collection is the first of its kind to dissect theatricality across a diverse spectrum of fields, including art, film, theatre, multimedia, photography, and music. Through an array of case studies, contributors dissect the concept of theatricality with depth and nuance, drawing from a rich tapestry of examples.

From theatre productions by Forced Entertainment and Daniel Kitson to artworks by iconic figures such as Rembrandt and Damien Hirst, the collection traverses a wide terrain of artistic endeavors. It also scrutinises internet-based artworks and films by renowned directors like Peter Greenaway, Spike Lee, and Pedro Almodóvar, offering a comprehensive exploration of theatricality’s manifestations in contemporary culture.

The book’s structure is meticulously organised into four sections, each offering a distinct perspective on theatricality. The sections encompass multimedia explorations, philosophical inquiries, historical contexts, and reflections on theatre and cinema. Through this framework, Theatricality and the Arts fosters a robust dialogue that transcends disciplinary boundaries and invites readers to reconsider the essence of theatricality in the modern era.

Professor Carl Lavery, University of Glasgow, commends the collection for its timeliness and thought-provoking insights. In a review, he lauds Quick and Rushton for their adept curation, emphasising the collection’s relevance to scholars and practitioners alike. He remarks, “The collection signals a welcome shift back to the aesthetic, which, of course, is something that is rooted in the very construction of the social.”

Theatricality and the Arts promises to be an indispensable resource for those immersed in the cultural sphere, offering a rich tapestry of perspectives on the intricate dynamics between performance and media. As the boundaries between artistic disciplines continue to blur, this collection serves as a beacon for understanding and appreciating the multifaceted nature of theatricality in contemporary society.

For more information and to purchase your copy, visit: Theatricality and the Arts (edinburghuniversitypress.com).